The best Juliusz Machulski’s movies
We present our ranking of the best Juliusz Machulski’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Juliusz Machulski.
King Size
7.3/10
A comedy. The story follows a young scientist in the contemporary world, who actually came from the world of dwarves, thanks to a magic potion, held by the Big Eater, ruler of the dwarves. The dwarf kingdom, Shuflandia, exists in a cellar of a library, and only the most obedient get the chance to grow to king size and inhabit the larger world. Once there, nobody wants to return to Shuflandia. Also, there are no women in Shuflandia.
The Constant Factor
7.1/10
The main character in this effective, convincing drama is Witold (Tadeusz Bradecki) who is high in what later would be termed the "emotional quotient" or the ability to bounce back from adverse, tragic circumstances. Witold has been nursing both his sick mother and a deeply rooted desire to climb the Himalayas. His father had died climbing in those mountains, and they have an allure for Witold as well. But his dreams begin to crumble when his mother succumbs to her illness and trouble brews at work. The situation becomes bad enough to scramble Witold's life with no indication of future improvement.
Killer 2
6.7/10
Jurek Kiler (see the prequel to this movie, "Kiler") has become a VIP - sponsoring the Polish government, playing tennis with the President, and stuff. He must oversee a transfer of a substantial amount of gold. However, in his past activities, he has made enemies. Mighty ones. And thus Jurek Kiler's next adventure begins as he has to face attempts at kidnapping, assassinations, and problems in his love life...
Personnel
6.7/10
Romek, an idealistc 19-year-old boy, takes a job as a tailor in the costume department of a Warsaw theater company where his new colleague, Sowa, is pressured to make a costume for an overbearing soloist.
Kill Me, Cop
6.5/10
A Polish thriller. Central story is a duel between criminal-on- the-run (Linda) and the cop (Machalica) who put him behind the bars the first time around.
Lesson of a Dead Language
6.4/10
An officer stationed in a remote Galician outpost at the end of the First World War is dying of consumption. Suffering from feverish dreams and hallucinations, he begins to collect religious art and attends seances.
