The best Juliette Faber’s drama movies
If you love cinema, you will share this ranking of the best Juliette Faber’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Juliette Faber.
The Truth About Bebe Donge
6.8/10
François Donge, a rich industrialist and womaniser, meets a girl nicknamed Bébé who he marries. Ten years later, poisoned by his wife and dying in hospital, he recalls his married life and understands how his wife who adored him suffered from his many affairs and indifference.
Shop Girls of Paris
6.7/10
The struggles of a small business owner come to light in this film by director André Cayatte. The proprietor of a fabric shop, M. Baudu (Michel Simon) faces stiff competition when a department store moves in across the street, the first of its kind in 1860s Paris. On top of the stresses associated with the rival retailer, Baudu’s niece and two nephews take up residence with him after recently being orphaned. The niece, Denise Baudu (Blanchette Brunoy), sees the writing on the wall for her uncle’s business so she takes a job as a shop girl with his competitor and despite her success the decision does not register well with the family.
We Are All Murderers
7.2/10
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
Picpus
6.1/10
Picpus is a street and a subway stop where a number of murders have been committed. Maigret tries to find the killer.
Strangers in the House
7/10
Le curé de Tours
8.1/10
Father Birotteau and Father Troubert, both of whom are priests at Tours, have separate lodgings in the house belonging to the crabby spinster Sophie Gamard in that city. Birotteau is an other-worldly, gentle, introspective type; Troubert, who is ten years younger than his fellow boarder, is very much of the world: he is a careerist devoured by ambition.
L'école buissonnière
7.3/10
Par-dessus le mur
4.9/10
