The best René Blancard’s movies

An ex-thief is accused of enacting a new crime spree, so to clear his name he sets off to catch the new thief, who’s imitating his signature style.

As Dominique Marceau is being tried for the murder of Gilbert Tellier, accounts by different witnesses paint a picture of the kind of relationship the two used to share.

A small town in Spain, October 1955. Isabel, a 35-year-old dreamer who feels like a failure because she is not married yet, becomes the new target of a group of soulless pranksters.

Jenny Lamour sings in a music hall in postwar Paris, accompanied by her husband, Maurice Martineau, on piano. When Martineau notices his wife flirting with an older businessman named Georges Brignon, he follows her to Brignon's house with the intent to kill him. At the house, Brignon is found murdered -- but by someone else. Inspector Antoine conducts an investigation that implicates Martineau, whose planned alibi comes loose.

Inspector Wens moves into a Paris boarding house to catch a serial killer.

Historical film directed and written by Sacha Guitry follows the the history of Paris from its founding through the significant events in the city's history.

Paris, during the winter after its Liberation: Jean Diego meets up with his friend Raymond Lecuyer again. A tramp predicts Jean will meet the most beautiful girl in the world, and that same evening Jean meets Malou. But he soon discovers that her brother Guy was the one that gave his friend Raymond away to the Gestapo...

Fates of multiple otherwise disconnected characters intertwine miraculously under the sky of Paris. And it all happens in one day.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Portrait of a two-faced man. By day he is rich, brilliant and respectable financial officer Lussac; at night, he becomes "Mirror", a ruthless gang leader in Marseilles.

In France, in 1930, a supervisor of a boarding school for young offenders seeks to awaken the music by forming a choir, despite the skepticism of his boarding school director.

Henri Chatelard is well in his forties, owns a restaurant and a cinema in the city, and appreciate women. When he meets Marie, a 18ish stronghead who just lost her father in a small fishermen village, it is not clear who is the hunter and who is the prey.

Obscure French version of the original Godzilla. Similar to the Italian Cozzilla, the film combines elements of the original Toho version and the American King of the Monsters in a unique version exclusive to the French release. Released by Les Films du Verseau.

The struggles of a small business owner come to light in this film by director André Cayatte. The proprietor of a fabric shop, M. Baudu (Michel Simon) faces stiff competition when a department store moves in across the street, the first of its kind in 1860s Paris. On top of the stresses associated with the rival retailer, Baudu’s niece and two nephews take up residence with him after recently being orphaned. The niece, Denise Baudu (Blanchette Brunoy), sees the writing on the wall for her uncle’s business so she takes a job as a shop girl with his competitor and despite her success the decision does not register well with the family.

A young man comes back to his hometown to be confronted with a bourgeois obnoxious family who has always despised his -now dead - parents because they were music hall artists, "entertainers". But because he's the sole legatee of an uncle's fortune, his relatives become friendly with him.. at least for a while.