The best Julia Martínez Rubio’s movies
We present our ranking of the best Julia Martínez Rubio’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Julia Martínez Rubio.
Bahía Blanca
Roman's Circuit
6.1/10
When a prominent researcher in the field of human memory returns home, he stumbles upon the fact that a man's past, as he remembers and tells it, is often nothing but fiction.
The Dose
6/10
Marcos is an experienced nurse. He works in the night shift of a provincial private clinic. He is applied and professional but has a secret: in some extreme cases he applies euthanasia. Gabriel, a new nurse, shakes the sector: he is young, intelligent and beautiful. Seduces everyone. He soon deciphers Marcos' secret by progressively taking control of his life. Marcos retracts until he discovers that Gabriel also kills, but capriciously. That revelation will force him to confront Gabriel, Marcos knows that only by exposing his true identity will be able to stop him.
Vapor
6/10
Former lovers randomly find each other, and start to catch up, walking in the Buenos Aires night.
Rosalinda
6.1/10
A group of actors retire to an island in Tigre to rehearse William Shakespeare’s As You Like It. Just before they start, Luisa, who is playing Rosalind, makes a bad decision – to terminate her relationship via mobile phone. Torn between her work and her personal preoccupations, in something of a daze, Luisa goes from wardrobe tests to dialogue review and a rehearsal that confirms Rosalind as the object of desire for the entire cast: Celia, Orlando, Febe. When rehearsals are over, there is a barbeque, and Luisa finds her fellow actors planning a day in the country with their partners. This offers her a chance to overcome her loneliness, though she still harbours hopes of a phone call. –Locarno Film Festival Matías Piñeiro’s Rosalinda, an original meditation on Shakespeare’s As You Like It, is a rich and enjoyable work that sustains a brisk comic tempo in a mellow, sunlit atmosphere
Vidrios
Deep knowledge of a person can be overwhelming. Even in the most trivial situations it is possible to find peaks of tension that appear from the underground. Vidrios intends to explore the universe of interpersonal relationships through a series of scenes of isolated appearance, with anonymous characters that are constantly updated and dialogue with each other until they burst a moment in the absurd.
Barroco
6.5/10
Julio starts a new job at a small bookstore. Little prudent, he handles with both things as if he knew them from always. This will complicate his great project: to make an apocalyptic photo-roman.
They All Lie
6.3/10
A group of girls and boys in their twenties settle in a country house that seems completely isolated from civilization. One of them writes a novel while the others try to become a gang and prepare a robbery; some fall in love, or seem to be, or believe (or say) they are in love. But these two, three, ten plot lines unfold from what the characters hide or just don’t know, connecting the writing of the novel and the forming of the gang, and the past of two of the characters with that of the house, and of those who perhaps were the two most bitter enemies of nineteenth century Argentine history.
Yeguas y cotorras
7.2/10
Delfina decides to spend with her two best friends, in her family’s manor house, her last day before getting married. In a sometimes violent, sensual or caring atmosphere, they share their doubts, their memories, their secrets, but also their bitterness. This intriguing title (literally Mares and Parrots) hides a subtle social unease within the young Buenos Aires bourgeoisie.
Castro
6.2/10
Four characters are looking for a man called Castro, but we don't know why. For some mysterious reason, Castro is running. He has left his life behind, and survives by hiding in a room in a small city. He is basically alone, but someone has appeared in his life, Celia. She is young, beautiful, and sometimes cruel.
About Buenos Aires
5/10
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
Y si no es mañana
Wake up in the morning. He feels bad. He brushes his teeth after vomiting. Record the house reviewing drawings, a model and a written photo that makes him smile. He returns it to the cork of old familiar images. Make breakfast for two. Waits.
Crónica de la muerte de Paco Uribe
The life of a man, the death of another.
The planets
A woman who comes to transform the city. Two friends now at odds forever. A man who invades apartments to film women from afar. A writer who plagiarizes books and a translator who discovers it. A UFO epidemic in an unbearable summer.
