The best Ignacio Rogers’s movies
If you love cinema, you will share this ranking of the best Ignacio Rogers’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Ignacio Rogers.
Esteros
7/10
Childhood friends Matías and Jerónimo reach adolescence and experience sexual attraction to each other, before being separated by circumstances. Later, as young adults, they meet again, and the film follows themes of complicated relationships and sexual tensions, as well as issues of homophobia
The Film Critic
6.2/10
Víctor Tellez is an intellectual, world-weary film critic who prefers to think in French and eschew the clichés of romantic movies...until he finds himself living a sappy, feel-good love story of his own.
Another Silence
5.3/10
Marie is a Toronto police officer. One evening, her husband Joshua and their son Nicky are brutally murdered in their car. Marie quickly links Pablo Molina, an Argentinian drug trafficker who she'd arrested a few months earlier, with the crime. In despair, Marie heads to Argentina on the tracks of the killer. A journey of revenge and a journey to come to terms with her loss.
The Dose
6/10
Marcos is an experienced nurse. He works in the night shift of a provincial private clinic. He is applied and professional but has a secret: in some extreme cases he applies euthanasia. Gabriel, a new nurse, shakes the sector: he is young, intelligent and beautiful. Seduces everyone. He soon deciphers Marcos' secret by progressively taking control of his life. Marcos retracts until he discovers that Gabriel also kills, but capriciously. That revelation will force him to confront Gabriel, Marcos knows that only by exposing his true identity will be able to stop him.
Overnight
6.3/10
Ignacio embarks on a trip driven by the coincidences that bring together the news that his young girlfriend is pregnant and an invitation to a seminar in Chile almost simultaneously.
The Intern
5.5/10
A bellhop and a young receptionist at a five-star hotel in Buenos Aires set out at night to investigate and unravel the secrets of the guests. However the guests do not reveal very much and the two go increasingly adrift through their curiosity.
Sightseeing
7.2/10
As laid-off factory worker Marcos pins his hopes for a new life on completing his long-unfinished one-man play, he contacts his estranged friend Martín, now a television writer, for help. But can their collaboration transcend an uneasy past? As the men come together in the creative process, they're offered a chance to rebuild their abandoned friendship.
About Buenos Aires
5/10
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
El notificador
6.7/10
The Protagonist
5.7/10
Paula, a 32-year-old actress, unexpectedly stops a robbery at a café and appears on the TV and newspapers. But as the days go by and her fame fades away, we begin to see a woman who works as something else and has moved away from her profession. As Paula struggles to assume her situation, she will get in touch with some past relations. Confronting them will put her back on the scene.
Como un avión estrellado
6.6/10
A young man becomes obsessed with a gardening student who is about to leave for Switzerland.
Ahora es nunca
A particular look at the love mismatch, the unrealized ties and the possible relationships that do not come ... and the window as a way to look into other lives that may end up being your own. A look at a generation of young people living in small universes contained in the urbanity of a Buenos Aires at the beginning of the 21st century.
El amor cambia
Marco, Patricio and Lucrecia form a peculiar loving relationship. For Patricio this does not seem to be a problem; it is shown as a person willing to a fickle love. But Marco plays the role of the neurotic: he does not feel a taste in this triad, he chases the girl, questions his friend, bothers the relationship and shows his disagreement. This could go through a triangle to use, one more in the history of cinema. But sometimes the geometry breaks.
