The best Juan Manuel Bernal’s comedy movies
Today we present the best Juan Manuel Bernal’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Juan Manuel Bernal’s movies.
Jeremy
7.2/10
El Jeremías is a heartwarming comedy film about family love and the hard choices that come with opportunity. Set in Sonora Mexico, the film tells the story of Jeremías an eight year old who finds out he is a gifted child and initiates a journey of self discovery. When an opportunistic physiologist makes contact with Jeremías, a new world of experiences open up to him but at the expense of being away from the family he loves. Jeremías must choose between this exciting but lonely new world he finds himself in or returning home to his loving family.
Tired of Kissing Frogs
6/10
A romantic comedy about a young interior decorator who, as a result of a romantic disappointment, becomes the female counterpart of Don Juan. The misadventures of the manizer make her rediscover the value of love.
If I Were You
5.1/10
Claudia and Antonio have been married for 15 years. After so many years of marriage they have lost track of each other. One night, after a strong argument, the unusual alignment of the planets Venus, Earth and Mars causes a magical transformation: Antonio's soul is trapped in the body of Claudia and Claudia's in Antonio's body.
The Fantastic World of Juan Orol
6.8/10
Mexico’s half-forgotten B-movie master, “involuntary surrealist” Juan Orol (1897–1988), receives a pitch-perfect tribute in this deft, irresistible love letter to a self-made man of showbiz whose career spanned half a century and nearly 60 films. Abetted by an all-pro cast, del Amo’s brilliant interpretation of Orol’s life exudes a droll underdog charm, and almost every frame is an infectious homage to the golden age of cinema, the wiles of memory, and the art of fantasy.
Without Rhyme or Reason
5.1/10
Orlando (Juan Manuel Bernal) is a neurotic dubbing director of series B that desqui-ta of all your frustrations and anger with their coworkers. Orlando lives with Sonia (Mariana Gaja), a woman "new age" in quest for inner peace. He, in crisis, stifled by the love of So-nia and tempted by the novelty of another woman, can not desci-FRAR the complicated language of life as a couple of young people, and going from flower to flower revealing its inability of being alone. On the other hand we have to Mauritius (José María Yazpik), a young and awkward to relate hermit who loves and despises while René (Cecilia Suárez), a beautiful woman "postmodern"
