The best Tito Vasconcelos’s movies
We present our ranking of the best Tito Vasconcelos’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Tito Vasconcelos.
Danzón
6.8/10
Julia is a phone operator in Mexico City who divides her time between her job, her daughter, and the danzón: a Cuban dance very popular in Mexico and Central America. Every Wednesday, Julia does the danzón with Carmelo in the old Salón Colonia. They've danced for years, but barely know each other. One night, Carmelo disappears without a trace. Feeling lonely and sad, Julia takes a train to Veracruz, where she knows Carmelo has a brother. The sudden trip will change Julia's life forever.
Dollar Mambo
6.8/10
Music and dance nurture the story of a group of people who live in a popular neighborhood. The invasion of North American soldiers to Panama will break the tranquility of the place bringing a wave of violence with them.
El edén
5.8/10
A conservative businesswoman promises her dying husband to bring their son, long-absent and whose whereabouts, is unknown back home. The clues lead to El Edén, a male brothel dressed as a gym. Despite the fact that he refuses to return, she, accustomed to achieving what she sets out to do, will use all her weapons to recover what is her own.
Esmeralda Comes by Night
6.3/10
Esmeralda is married with 5 husbands at the same time, so she has to explain to the judge why she has done this.
Go On Living
6.5/10
Two children, under a death threat run away from Juarez, join a journalist, who has just lost his son in a car accident, to become a new family. During a long journey in a short time, everything will spin around death, the fragile universe of love and life’s traps.
Without Rhyme or Reason
5.1/10
Orlando (Juan Manuel Bernal) is a neurotic dubbing director of series B that desqui-ta of all your frustrations and anger with their coworkers. Orlando lives with Sonia (Mariana Gaja), a woman "new age" in quest for inner peace. He, in crisis, stifled by the love of So-nia and tempted by the novelty of another woman, can not desci-FRAR the complicated language of life as a couple of young people, and going from flower to flower revealing its inability of being alone. On the other hand we have to Mauritius (José María Yazpik), a young and awkward to relate hermit who loves and despises while René (Cecilia Suárez), a beautiful woman "postmodern"
Víctimas del Pecado Neoliberal
