The best Jean Daurand’s drama movies
Today we present the best Jean Daurand’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Jean Daurand’s movies.
Touchez Pas au Grisbi
7.7/10
Gentleman gangster Max and his partner, Riton, pull off their last, most successful heist and find themselves comfortable enough to retire in the style they enjoy. However, Max confides the details of the theft to his younger mistress, Josey -- who has secretly taken up with ambitious young rival gangster Angelo. Angelo then has Riton kidnapped and demands the stash of gold as ransom, which threatens Max's dreams of the perfect retirement.
Quai des Orfèvres
7.7/10
Jenny Lamour sings in a music hall in postwar Paris, accompanied by her husband, Maurice Martineau, on piano. When Martineau notices his wife flirting with an older businessman named Georges Brignon, he follows her to Brignon's house with the intent to kill him. At the house, Brignon is found murdered -- but by someone else. Inspector Antoine conducts an investigation that implicates Martineau, whose planned alibi comes loose.
Witness in the City
6.9/10
Industrialist Pierre Verdier kills his mistress Jeanne Ancelin by throwing her off a train. Her husband, Ancelin, decides to take revenge on his wife's murderer, who has been acquitted by justice.
Love Is My Profession
6.7/10
Married French lawyer Andre defends succesfully the case of Yvette, who committed a robbery. He falls in love with her, but she isn't true to him.
We Are All Murderers
7.2/10
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
Le voyageur de la Toussaint
7.4/10
A young man comes back to his hometown to be confronted with a bourgeois obnoxious family who has always despised his -now dead - parents because they were music hall artists, "entertainers". But because he's the sole legatee of an uncle's fortune, his relatives become friendly with him.. at least for a while.
The Battle of the Rails
7/10
A 1946 war movie which tells the courageous efforts by French railway workers to sabotage Nazi reinforcement-troop trains.
The Chips Are Down
7.2/10
"Les jeux sont faits," is a fantasy film based on a screenplay by French existentialist philosopher Jean-Paul Sartre. A society heiress and a resistance fighter are tragically killed at the same moment and meet in the afterlife. They are offered a second chance at life if they can prove their love is real or be doomed to roam the earth as ghosts.
Les malheurs de Sophie
4.8/10
Sophie de Réan, an unruly mischievous little girl grows up under the thumb of Mademoiselle, her strict governess. Following her mother's death, she is entrusted to Mme de Fleurville, her aunt, who at the same time hires Mademoiselle to further Sophie's education. A few years later, the little girl has blossomed into a lovely young lady. She is now in love with Paul, her cousin, who, unlike her, used to be a model child. Unfortunately Mademoiselle will not hear of a union between them. Instead she wants Sophie to marry Armand, the conceited son of Prefect Hugon. To make matters worse, Paul, the good boy, unexpectedly turns into a revolutionary, who defends the Republic on the barricades against Louis Napoléon's coup. Not being one of the victors, Paul is forced into exile. Will Sophie finally yield and accept the established order or will she react in her usual rebellious way and follow the one she loves ?
La Nuit merveilleuse
5.1/10
In the Affirmative
6.6/10
The film is a road movie that follows a middle aged man who gives a young woman a lift. On the car radio, news bulletins warn the population against a recently escaped sadist who is known to prey on young women and children. Lelouch often cuts away from the main story, if only briefly, to parallel events that are not necessarily crucial to the story but illustrate what is suggested by the radio.
