The best Jean-Christophe Bouvet’s drama movies
Today we present the best Jean-Christophe Bouvet’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Jean-Christophe Bouvet’s movies.
Marie Antoinette
6.5/10
The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and ultimately the fall of Versailles.
You and the Night
5.6/10
Around midnight, a young couple and their transvestite maid prepare for an orgy. Their guests will be The Slut, The Star, The Stud and The Teen.
Our Paradise
6.1/10
Vassili is an aged prostitute with killer instincts. He finds an unconscious young man in the Forest of Boulogne and takes him home. Now lovers and accomplices, the two men become a couple in prostitution and steal from their clients. And yet, menaces of retaliation leave the couple with no choice but to escape from Paris. The runaway begins...
Belleville Tokyo
5.4/10
Un couple se dirige vers un train en partance pour Venise. Sur le quai, Julien annonce à Marie qu’il part en rejoindre une autre et s’en va, la laissant seule à Paris, enceinte. Bouleversée, Marie se refuse à être victime de cette situation. Elle trouve du réconfort dans son travail auprès de ses deux « cow-boys » de patrons, Jean-Jacques et Jean-Loup, qui dirigent un cinéma du quartier latin spécialisé dans les films classiques américains…
One to Another
5.8/10
A story about bunch of people who live in a town in provincial France. At the center of it all is Pierre, a conceited and vain bisexual musician in his late teens who acts as a magnet, to varying degrees, for a whole array of characters - from his sister Lucie, with whom he has a heated incestuous relationship, to a city councilor with whom he participates in gay orgies. When Pierre turns up dead, Lucie investigates the reasons for his demise and charts the network of sadomasochistic relationships that crisscross the town.
Under the Sun of Satan
6.7/10
Satan tempts Father Dossignan, who is trying to save the soul of a young girl who killed one of her lovers.
Notre musique
6.8/10
Jean-Luc Godard's poetic meditation on war, violence and defeat. The film is structured in three parts. The three segments are "Hell", "Purgatory", and "Heaven". The first segment is a montage of war images from documentary and fictional sources. The second concerns two young Jewish women attending a European arts conference in Sarajevo. The final segment concerns the after life.
Cold Water
7/10
An outer suburb of Paris, 1972. Gilles and Christine, both sixteen, are classmates and lovers who have become frustrated with the aloofness of their families and the general monotony of their lives. When the pair are caught shoplifting, Christine's father ships her off to a home for emotionally disturbed children, temporarily putting space between her and Gilles. Luckily for them, though, she escapes and the couple contemplate running away together.
Paris by Night
6.5/10
Police commander Simon Weiss, head of the division that supervises Paris’s demi-monde, starts out on his nightly tour of bars, discos and strip clubs, making sure once again that the owners don’t bend the rules too far. Weiss knows he’s between a rock and hard place: it’s obvious that criminal gangs run rampant in his special domain, and even more obvious that they’re protected by higher-ups in the department.
Like a Brother
5.7/10
Sebastien is a small town boy who moves to Paris and begins to explore the gay night life there. When a friend from back home calls to announce he's coming to Paris, Sebastien confronts some unrequited feelings.
I Don't Kiss
6.8/10
A good-looking but naive lad leaves his mountain village to try and make his way in Paris. He thinks maybe he will try acting but things don't go too well for him. Eventually he is forced to sell himself to men and though he meets an attractive girl she is herself a prostitute with a vicious pimp.
The Other Dumas
6.3/10
Alexandre Dumas, at the height of his career, takes Auguste Maquet, his chief literary collaborator or 'ghost writer' ten years his junior, to meet a young unknown admirer, Charlotte Desrives. The two men are at the summit of their artistic collaboration for they have just published "The Count of Monte Christo", "Queen Margot" and "The Three Musketeers". If it's Maquet who writes the majority of the texts, both the honours and fame go to Dumas.
Tempting Devils
5.3/10
A woman discovers curious erotic messages on a lost cell phone in the train. When she meets the owner of the phone, a liberated young woman, the two of them embark on an erotic journey.
La France
6.4/10
During the First World War, Camille (Sylvie Testud), a young woman whose husband is away fighting at the front, receives a short letter of break-up from him. Distraught, she decides to go to join him, but is driven back by the rule of the time which forbids women to move around alone. She has no other recourse than to dress herself up as a man so as to be able to take to the road on foot. As she lives near the Western Fromt she hooks up with a passing group of French soldiers without too much trouble. But there's something a bit odd about these stragglers, and it's not just their habit of bursting into song at every opportunity.
Lovers
6.2/10
A French woman falls in love with a Yugoslavian man, not realizing that he is an illegal immigrant.
Gare du Nord
6/10
Paris, North Station, anything comes by, even trains. One would like to stay, but they have to hurry up... Like other thousands lives crossing, Ismael, Mathilde, Sacha and Joan are going to meet here...
Gloria
5.6/10
Gloria is set against the backdrop of a rural landscape slowly disappearing in modern Portugal. The small border town of Vila de Santiago, once a booming trade center for illegal trafficking, is about to become a ghost town, as a new motorway is to bypass the city and the railway station is being closed. Its stationmaster, Vincente, is preparing to retire. Many young people have moved out, leaving the children to be brought up by the elderly, including thirteen-year-old Glória and her friend Ivan. Glória's life suddenly changes with the arrival of Vincente's younger brother, Mauro, who has just come out of prison and has some old issues to settle. Mauro begins to charge around the station on his motorbike, while Glória's friendship with Ivan is put to test on account of her attraction to older Mauro.
The Red Siren
5.2/10
Nearly 13, Alice rebels, telling the Paris police that her mother is a murderer. Alice has no evidence; her mother, Eva, rich and powerful, avoids charges. Alice promptly runs away, determined to find her dad whom she claims lives in Portugal. The police believe he is dead and that Alice is in denial. Nonetheless, they dispatch Anita, an Italian police officer on loan to the French, to find Alice and bring her back. Meanwhile, Eva has launched her own paramilitary force to hunt for Alice, and Alice has found a protector in Hugo, an ex-soldier turned hit man and gang member. He promises to get her to her father. All roads lead to a small town on the Portuguese coast.
The Passengers
6/10
The new Saint Denis-Bobigny streetcar picks up and drops off commuters in an all-too-brief transit of their lives. Among the regular riders is a woman who is both spectator and guide – she introduces, comments on, ponders and catalyzes the sometimes vain, sometimes serious preoccupations of her fellow travelers, who, for the moment, are rushing headlong toward their destiny. The commuters and their observer have double lives. Once they step off this streetcar, the real-life dramas begin. Each has his or her style of living or dying…
4 Days in France
5.8/10
A man leaves everything behind to travel aimlessly through France, letting himself be guided only by the people and landscapes he encounters: four days and four nights of wandering, during which his lover tries to locate him via Grindr, a smartphone dating app.
