The best Jarmila Novotná’s movies

Jarmila Novotná

Jarmila Novotná

23/09/1907- 09/02/1994
If you love cinema, you will share this ranking of the best Jarmila Novotná’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Jarmila Novotná.

The Search

The Search
7.8/10
  • Genre: DramaWar
  • Release: 26/03/1948
  • Character: Hannah Malik
In postwar Germany, a displaced Czech boy, separated from his family during wartime, is befriended by an American GI while the boy's mother desperately searches for him.

The Great Caruso

The Great Caruso
6.5/10
  • Genre: DramaMusic
  • Release: 16/04/1951
  • Character: Maria Selka
Loosely traces the life of tenor Enrico Caruso (1873-1921). He loves Musetta, in his home town of Naples, and then Dorothy, the daughter of one of the Metropolitan Opera's patrons. Caruso is unacceptable to both women's fathers: to one, because he sings; to Dorothy's, because he is a peasant. To New York patricians, Caruso is short, barrel chested, loud, emotional, unrefined. Their appreciation comes slowly. The film depicts Caruso's lament that "the man does not have the voice, the voice has the man": he cannot be places he wants to be, because he must be elsewhere singing, including the day his mother dies. Throughout, Mario Lanza and stars from the Met sing.

Der große Zauberer - Max Reinhardt

Der große Zauberer - Max Reinhardt
  • Genre: Documentary
  • Release: 30/10/1973
  • Character: Self
"The Great Magician" - Max Reinhardt (1873-1943) was an Austrian theater and film director, director, theater producer and theater founder. With his Jedermann production on August 22, 1920, he founded the Salzburg Festival.

Fire in the Opera House

Fire in the Opera House
6.7/10
  • Genre: DramaRomance
  • Release: 13/10/1930
  • Character: Primadonna
It begins with a Tannhäuser performance and ends with the premiere of The Tales of Hoffmann. In between a young ingénue cast in her first big role, the Hoffmann rehearsals, the theatre director and his stage director exchanging cynicisms, a budding love affair. Gründgens at his most repulsive, trying to woo both lovers. And a hair-raising finale. Add to this some snappy dialogue and "pre-code" scenes that make you sit up and stare.

Frasquita

Frasquita
6/10
  • Genre: Romance
  • Release: 09/08/1934
  • Character: Frasquita
Czechoslovakian opera star Jarmila Novotna plays the title role in the Austrian tunefest Frasquita. Based on a Franz Lehar operetta, the story is the usual frothy nonsense. Dolly (Charlotte Daudert) is engaged to marry Hyppolit (Heinz Ruhmann), but she's really in love with Harold (Hans Heinz-Bollman). Hyppolit is likewise enamored of another, namely Frasquita (Jarmila Novotna). Alas, Dolly and Hyppolit must go through with the wedding, despite the dictates of their hearts. That there's a happy ending all the same comes as a surprise only to the characters on the screen.

The Bartered Bride

The Bartered Bride
6.4/10
  • Genre: ComedyMusic
  • Release: 18/08/1932
  • Character: Marie
Bohemia in the 19th century, stage-coach driver Hans, loves the mayor's daughter Marie, but she is promised Wenzel, the son of another wealthy farmer. Marie refuses to marry Wenzel because of Hans, but the marriage arranger tries to "buy" Marie from Hans. But when Wenzel tells Hans, that he doesn't want to marry Marie, either, because he loves circus director Brummel's daughter, Hans decides to accept the offer of money for not interferring in the relations of Hans and Marie. But when Marie hears about this, she doesn't want to see Hans again.

The Night of the Great Love

The Night of the Great Love
6.4/10
  • Genre: Comedy
  • Release: 27/07/1933
  • Character: Frau Thormaelen
The story, set in Constantinople, of a young man who falls in love with a woman much older than he is, and her daughter falls in love with him also. An American critic was vastly impressed by the day-and-night locale shots, and wrote that the film-maker had discarded and soft-pedaled the soft and sentimental in favor of the realistic and logical.

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