The best Dorothy Kirsten’s movies

Loosely traces the life of tenor Enrico Caruso (1873-1921). He loves Musetta, in his home town of Naples, and then Dorothy, the daughter of one of the Metropolitan Opera's patrons. Caruso is unacceptable to both women's fathers: to one, because he sings; to Dorothy's, because he is a peasant. To New York patricians, Caruso is short, barrel chested, loud, emotional, unrefined. Their appreciation comes slowly. The film depicts Caruso's lament that "the man does not have the voice, the voice has the man": he cannot be places he wants to be, because he must be elsewhere singing, including the day his mother dies. Throughout, Mario Lanza and stars from the Met sing.

A golf-crazy songwriter tries to avoid the long, solitary hours of concentration needed to produce a hit musical. His producer and his secretary conspire to get him back on track.

Margie, singer on a showboat, decides to try her luck in New York inspite of being in love with the owners grandson. She is successful, but suddenly she hears that the showboat is in deep financial trouble, and she calls all the boats former stars to join in a big show to rescue it.