The best George MacFarlane’s movies

Amidst a backdrop of growing violence and intimidation, independent cab drivers struggling against a consolidated juggernaut rally around hot-tempered Matt Nolan. Nolan is determined to keep competition alive on the streets, even if it means losing the woman he loves.

Daily life at men and women's prison units where baseball and the marching band are serious business. Two prisoners escape in order to help paroled Steve from being blackmailed by his girlfriend's ex-partner-in-crime.

Two soldiers go absent without leave in Paris during World War I.

Among the travelers of varied backgrounds that meet and interact on one night at Union Depot, a metropolitan train station, are Chick and his friend Scrap Iron, both newly released from prison after serving time for vagrancy. Hungry and desperate for a break, Chick fortuitously comes across across a valise abandoned by a drunken traveler. In it he finds a shaving kit and a suit of clothes with a bankroll, which help transform the affable tramp into a dashing gent. After buying himself a meal, Chick seeks some female companionship among the many hustlers who walk the station. He propositions Ruth Collins, a stranded, out-of-work showgirl and takes her to the station's hotel.

Mary Linden is the secretary who is the unheralded power behind successful executive James Duneen. He takes her for granted until rival Wales tries to take her away from him.

Remake of Cameo Kirby (1923)

A very topical early talkie from low-budget company Columbia Pictures, Wall Street starred Ralph Ince, brother of producer Thomas H. Ince, as Roller McCray, a steelworker turned ruthless tycoon whose tough business methods leads a rival (Philip Strange) to commit suicide. The widow (Aileen Pringle), believing she can ruin Ince by using his own methods, conspires with her husband's former partner (Sam De Grasse), but a strong friendship between Ince and Pringle's young son (Freddie Burke Frederick) changes things dramatically. According to future Three Stooges director Edward Bernds, who worked as a sound mixer on Wall Street, Ince's reaction to his rival's suicidal jump from a window ledge was changed from a sneering "I didn't think he had the guts" to the more respectful "I didn't think he'd do it" due to derisive laughter from the film's crew.

A poor New York plumber's wife and children hope to move "uptown" from their lower East Side neighborhood after he sells his new invention.

Margie, singer on a showboat, decides to try her luck in New York inspite of being in love with the owners grandson. She is successful, but suddenly she hears that the showboat is in deep financial trouble, and she calls all the boats former stars to join in a big show to rescue it.