The best Jana Plodková’s romance movies

A film about the black-and-white era actress Lída Baarová and her doomed love affair.

Liesel Landauer and her friend Hana are linked by a lifelong relationship and an exceptional house built by the architect Von Abt for Liesel and her husband Viktor in Czechoslovakia in the early 1930s.

The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.

A love story of the 21st century. Hoping for change, Ema (Jana Plodková) runs away from her family and leaves her husband. She hides at the apartment of her hairdresser, a gay guy Tony (Ondrej Nosálek), even though she barely knows him. At the beginning they are merely two strangers, connected by their mutual effort of escaping from their families. They get closer and help each other to overcome the internal, as well as external, obstacles of their lives. Their liberating friendship almost becomes a love affair, despite the fact it cannot be fulfilled. This liberation creates an intense bond between them: a new escape, a new quest. This is a love story of two people and their attempts to escape the trap of their own desires of belonging to somebody.