The best Vladimír Polívka’s movies
If you love cinema, you will share this ranking of the best Vladimír Polívka’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Vladimír Polívka.
Charlatan
6.8/10
Born in the early 20th century, herbalist Jan Mikolasek became rich and famous after curing countless diseases with unorthodox means. A true emblem of Czechoslovakia before World War II, the healer became even more appreciated during the Nazi occupation and the communist regime. Each regime appreciates his skill and protects him. But how much will it cost him to maintain his status in a new political change?
The Glass Room
5.5/10
Liesel Landauer and her friend Hana are linked by a lifelong relationship and an exceptional house built by the architect Von Abt for Liesel and her husband Viktor in Czechoslovakia in the early 1930s.
Matky
5/10
The Hastrman
6.2/10
A strange nobleman returning after years abroad to a small Bohemian village in the beginning of 19th century. The nobleman feels closer to animals despite looking like a human.
Strašidla
4.8/10
Women on the Run
6.5/10
Vera has lived a wonderful life with Jindrich, and she is fully determined to fulfill his last wish - running a marathon. The emancipated and spirited mother of three daughters doesn't think that doing so will be a problem. She and her daughters will split up the route into four parts, and they'll overcome the over 42-kilometer-long challenge as a family relay team. Of course, the fact that neither of them has ever ran even a meter poses no problem.
Flower Buds
6.5/10
Flower Buds tells the story of the gradual breakdown of a family living in a small town. Each character lives according to his or her own ideals. Agata wants a happy life far from home, fully aware that her only hope is to escape and therefore betray those close to her. Honza believes in the purity and power of love, regardless of the circumstances under which it is born. Kamila looks confidently to the future and does not intend to accept the misery of the present. The only Jarda knows that he will not change the world or himself. Aware of his weakness, he does not even try. In his mind, of course, his addiction to slot machines, which has led to a nearly impossible situation, is as certain as most gamblers' belief of an imminent win. The real and convincing attempt to rescue his family comes when it is too late. It is just a futile gesture, a desperate last ditch effort.
Slovo
5.9/10
Monstrum
5.5/10
The Musical, or The Way to Happiness
3.8/10
Students from the Prague Conservatory leave for a workshop in the picturesque South Bohemian countryside, where they are placed before a demanding task, from which only some of them will emerge successful and they will then continue in their dream to be famous. Each of them will find their true path to happiness.
Crazy Kingdom
4.4/10
By some quirk of fate, the two small-time thieves and the spoiled princess find themselves in the Black Forest full of magic beings who believe that everyone has a chance to mend his ways. However, sometimes even the best intentions need to take a pretty long way round to be achieved... Funny fairy tale full of action, excitement, fun, magic but also love.
Místa
5.4/10
A coming of age story about love, loss and revenge centers around two teenage friends, Adam (Vladimír Polívka) and Marek (Jan Cina), whose aimless lives in a small town are suddenly disrupted by the appearance of Anna (Johana Matousková), the troubled daughter of a rich and influential local businessman. Initially her free spirit energizes Adam but soon he finds himself thrown into a spiraling chain of events. His innocence is about to be abruptly replaced with the adult emotions of guilt, fear and revenge.
Into the Wind
4/10
Two siblings set sail as a crew on a yacht on the Aegean Sea. Circumstances soon change when a young documentary filmmaker comes aboard.
Totally Talking
5.5/10
Our hero is 25-year-old Štěpán – a nice enough guy but a bit of a waster who doesn’t have a clue what to do with himself. At the call centre where he works, he is jolted out of his lethargy when he takes a call from the mysterious and seemingly level-headed Marie. This playful flick revolves around young protagonists full of insecurities who are struggling to break out of the crushing stereotypical mould. And although Štěpán might not know exactly which path to take in life, the mere decision to put one foot in front of the other indicates a certain degree of progress. In its chosen stylisation the film opts for bizarre condensation and, in places, ventures into absurd poetics; even so, it reveals great understanding for its characters’ faltering moves.
