The best Jamie Harrold’s movies
Today we present the best Jamie Harrold’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Jamie Harrold’s movies.
Natural Born Killers
7.2/10
Two victims of traumatized childhoods become lovers and psychopathic serial murderers irresponsibly glorified by the mass media.
Erin Brockovich
7.4/10
A twice-divorced mother of three who sees an injustice, takes on the bad guy and wins -- with a little help from her push-up bra. Erin goes to work for an attorney and comes across medical records describing illnesses clustered in one nearby town. She starts investigating and soon exposes a monumental cover-up.
To Wong Foo, Thanks for Everything! Julie Newmar
6.7/10
Three New York drag queens on their way to Hollywood for a beauty pageant get stranded in a small Midwestern town for the entire weekend when their car breaks down. While waiting for parts for their Cadillac convertible, the flamboyant trio shows the local homophobic rednecks that appearing different doesn't mean they don't have humanity in common.
The Sum of All Fears
6.4/10
When the president of Russia suddenly dies, a man whose politics are virtually unknown succeeds him. The change in political leaders sparks paranoia among American CIA officials, so CIA director Bill Cabot recruits a young analyst to supply insight and advice on the situation. Then the unthinkable happens: a nuclear bomb explodes in a U.S. city, and America is quick to blame the Russians.
The Score
6.8/10
An aging thief hopes to retire and live off his ill-gotten wealth when a young kid convinces him into doing one last heist.
Kingdom Hospital
6.7/10
Stephen King's take on the masterpiece series by Lars von Trier. The story takes place in a hospital in Lewiston, Maine, built on the site of a Civil War-era mill fire in which many children died.
Tell-Tale
5.4/10
A man's recently transplanted heart leads him on a frantic search to find the donor's killer before a similar fate befalls him.
Amateur
6.8/10
A man wakes up in an alley, bleeding and with no memory of who he is. He stumbles into a coffee shop and is befriended by a charitable ex-nun who is failing in her attempts to write marketable pornography.
I Shot Andy Warhol
6.6/10
Based on the true story of Valerie Solanas who was a 1960s radical preaching hatred toward men in her "Scum" manifesto. She wrote a screenplay for a film that she wanted Andy Warhol to produce, but he continued to ignore her. So she shot him. This is Valerie's story.
Bed of Roses
6.1/10
The seeds of love are planted when Lisa, a high-powered investment banker, receives flowers from a secret admirer. But when his fairy-tale fantasies clash with her workaholic ways, they soon find out that sometimes, it's harder than it seems for love to conquer all.
The Last Winter
5.5/10
In the Arctic region of Northern Alaska, an oil company's advance team struggles to establish a drilling base that will forever alter the pristine land. After one team member is found dead, a disorientation slowly claims the sanity of the others as each of them succumbs to a mysterious fear.
Aftermath
4.9/10
Tom Fiorini (Anthony Michael Hall, The Dead Zone) owns a successful construction company. After his long time foreman goes missing, events take a drastic turn for the worse. During the search for his foreman, Tom plummets down a slippery slope of violence and hired hit men, only to find the fire with which he plays is much hotter than he could have ever expected. Director Thomas Farone (Nate Dogg) brilliantly creates a haunting, emotional film with richly layered performances by its multi award-winning cast—which includes a tour-de-force by the late Chris Penn, in his final film. Absorbing and complex, Aftermath is a Cinequest 23 highlight and a stylish noir crime thriller that will have audiences talking long after.
Family Pictures
6/10
Nina Eberlin comes home to visit her now-divorced parents and while looking through a collection of pictures taken by her father and herself, she reflects on how the pictures illustrate the nature of families. She begins to tell the story of how her parents discovered their son Randall was autistic and how each reacted to that. Her mother had three more kids, all daughters, "the perfect children." The controversy over that and Randall's treatment pulls the parents apart. It also forces Nina and her older brother Mack to re-evaluate their relationship with each other and each parent.
I Think I Do
6.6/10
The marriage of mutual friends reunites former college roommates Bob and Brendan, who tried to ignore the sexual tension that always flowed between them. Brendan finally comes out to Bob at the reception, but is it a case of too little, too late?
Boys On Film 7: Bad Romance
5.9/10
Experience an alternative take on attraction with Boys On Film. Bad Romance explores the darker side with a collection of edgy and sexy short films, including: Alain Hain's "Curious Thing" starring Danny Bernardy and Matthew Wilkas; Christoph Scheermann's "Cake and Sand" starring Bartholomew Sammut and Jan Andreesen; Michael Rozanov's "Watch Over Me" starring Guy Kapulnik and Davidi Hoffman; Joachim Back's "The New Tenants" starring David Rakoff and Jamie Harrold; Kim Jho Gwang-soo's "Just Friends?" starring Lee Je-hoon and Yeon Woo-jin; Étienne Desrosiers's "Mirrors" starring Xavier Dolan, Stéphane Demers, and Julie Beauchemin; Christopher Banks's "Communication" starring Rudi Vodanovich and Alexander Campbell; Tomer Velkoff's "The Traitor" co-starring Shmulik Goldstein; Christopher Radcliff and Lauren Wolkstein's "The Strange Ones" starring David Call, Tobias Campbell, and Merritt Wever; and Tamer Ruggli's "Cappuccino" starring Benjamin Décosterd and Manuela Biedermann.
Flannel Pajamas
5.9/10
A study of a relationship that starts quickly, burns bright, and then gets rocky, not from any one thing, but from an accumulation of civilization and its discontents. Stuart is glib and generous, Nicole is shy and forthright. Is love enough to see them through?
Corn
4.1/10
A young woman returns home to bear an illegitimate child, and witnesses an environmental accident involving a genetically modified crop of corn. Doubted by the community she has returned to, she questions her own sanity as she tries to discover what is happening. Her journey takes her on a trip down the food chain, as she tracks a potentially life threatening byproduct from the cornfield to the supermarket. Ultimately, she has to confront psychological demons that haunt her as she grows into motherhood, and comes to terms with her own biology. Tapping into cultural myths of food, fertility, birth and sacrifice, CORN is a chilling look at what we put in our mouths and our babies' mouths, and the convergence of Science and Mother Nature.
The New Tenants
6.8/10
A prying neighbor, a glassy-eyed drug dealer, and a husband brandishing both a weapon and a vendetta make up the welcome wagon. Set amidst the as-yet-unopened boxes and the hopes for a fresh start of two men on what might just be the worst moving day ever. Their new apartment reveals its terrifying history in a film that is by turns funny, frightening, and unexpectedly romantic.
Bottled Up
5.7/10
A solitary woman (Melissa Leo) earning her living by delivering mail and body piercing, makes every attempt to help her volatile adult daughter (Marin Ireland) get on her feet, and in-so-doing neglects herself, channeling all of her womanly desires into her houseplants...even when a charismatic and industrious environmentalist (Josh Hamilton) moves in with them.
37
3.9/10
On a March night in 1964, 37 neighbors in Queens, New York, witness the brutal murder of Kitty Genovese. None of them takes action or calls the police. 37 tells the story of a few of these people and what led up to the night when they unexplainably remained passive observers. The film is a convincing portrayal of a borough in change and a time characterized by racism, the Civil Rights Movement and political shifts. The actual event that inspired the film’s plot has been called a symbol for the moment when America lost its innocence. The director Puk Grasten skillfully weaves into her feature film debut various fates, dreams and family conflicts by leading us through an apartment building that comes to bear a collective failure.
