The best Helen Hanft’s movies

Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.

An African prince decides it’s time for him to find a princess... and his mission leads him and his most loyal friend to Queens, New York. In disguise as an impoverished immigrant, the pampered prince quickly finds himself a new job, new friends, new digs, new enemies and lots of trouble.

No sooner does Italian-American widow Loretta accept a marriage proposal from her doltish boyfriend, Johnny, than she finds herself falling for his younger brother, Ronny. She tries to resist, but Ronny lost his hand in an accident he blames on his brother, and has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls deeper in love, she comes to learn that she's not the only one in her family with a secret romance.

An erotic story about a woman, the assistant of an art gallery, who gets involved in an impersonal affair with a man. She barely knows about his life, only about the sex games they play, so the relationship begins to get complicated.

Teenager Les Anderson thinks his life can't get any worse after he flunks his driver's exam, but he's wrong. Even though he didn't receive his license, Les refuses to break his date with the cool Mercedes Lane, and he decides to lift his family's prize luxury car for the occasion. Unfortunately, Mercedes sneaks some booze along and passes out drunk, and a confused Les makes the bad decision of enlisting his rebellious friend, Dean, to help.

Arthur is a thirty-year-old child who will inherit 750 million dollars if he complies with his family's demands and marries the woman of their choosing.

While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.

Laurel Ayres is a businesswoman trying to make it but unfortunately she works at a investment firm where she does all the work but all the senior investors like Frank Peterson grab all the credit. She then leaves and starts her own firm. While trying to find clients Laurel pretends that she has a male partner named Robert Cutty. And when she starts to do well all of her clients wants to meet Cutty which is difficult since he doesn't exist.

It's lust at first sight when Gabriel, a songwriter with Broadway ambitions, runs into Mark, a hot go-go dancer at a local gay club. They head to Gabriel's place to seal the deal, but are thwarted when Gabriel's roommate Rich arrives with opposing plans for their closet-sized apartment. It's the first of many sexual obstructions in a wild night that leaves the pair physically unsatisfied, but developing an unforeseen romantic bond nevertheless.

Ticlaw, a small town in Florida, has only one attraction: a safari park. The government constructs a freeway that passes near Ticlaw, but decides not to put an exit into the town. The people of Ticlaw, leaded by it's Mayor, will do anything in order to convince the governor to alter the project.

At her husband's funeral, Pearl (Shirley MacLaine), Jewish mother of two divorced and antagonistic daughters, meets an old Italian friend (Marcello Mastroianni) of her husband, whose advice years previously had stopped the husband leaving home. For 23 years he, now a widower, has secretly loved Pearl...

Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.

Eager to find his brother's murderer, Clinton enlists the aid of Nadine, an expensive call girl. Together they get sucked into a plot to smuggle guns to the Contra forces in Nicaragua.

An aspiring Jewish actor moves out of his parents' Brooklyn apartment to seek his fortune in the bohemian life of Greenwich Village in 1953.

Experience an alternative take on attraction with Boys On Film. Bad Romance explores the darker side with a collection of edgy and sexy short films, including: Alain Hain's "Curious Thing" starring Danny Bernardy and Matthew Wilkas; Christoph Scheermann's "Cake and Sand" starring Bartholomew Sammut and Jan Andreesen; Michael Rozanov's "Watch Over Me" starring Guy Kapulnik and Davidi Hoffman; Joachim Back's "The New Tenants" starring David Rakoff and Jamie Harrold; Kim Jho Gwang-soo's "Just Friends?" starring Lee Je-hoon and Yeon Woo-jin; Étienne Desrosiers's "Mirrors" starring Xavier Dolan, Stéphane Demers, and Julie Beauchemin; Christopher Banks's "Communication" starring Rudi Vodanovich and Alexander Campbell; Tomer Velkoff's "The Traitor" co-starring Shmulik Goldstein; Christopher Radcliff and Lauren Wolkstein's "The Strange Ones" starring David Call, Tobias Campbell, and Merritt Wever; and Tamer Ruggli's "Cappuccino" starring Benjamin Décosterd and Manuela Biedermann.

Life imitates art when two Manhattanites — pompous teacher Willie and quiet photographer Phil — become friends after a thought-provoking screening of "Jules et Jim," Truffaut's classic film about a decades-long ménage à trois. Soon, the men meet Jeanette, a sexually liberated southern transplant who promptly falls for both of them. Frustrated passions curdle into jealousy as Jeanette entertains love affairs with each in the ensuing years.

A prying neighbor, a glassy-eyed drug dealer, and a husband brandishing both a weapon and a vendetta make up the welcome wagon. Set amidst the as-yet-unopened boxes and the hopes for a fresh start of two men on what might just be the worst moving day ever. Their new apartment reveals its terrifying history in a film that is by turns funny, frightening, and unexpectedly romantic.