The best Jackie Curtis’s movies
We present our ranking of the best Jackie Curtis’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Jackie Curtis.
The Cockettes
7.4/10
Documentary about the gender-bending San Francisco performance group who became a pop culture phenomenon in the early 1970s.
Flesh
5.7/10
A heroin junkie works as a prostitute to support his habit and fund an abortion needed by the girlfriend of his lesbian wife. His seedy encounters with delusional and damaged clients, and dates with drag queens and hustlers are heavy on sex, drugs and decadence.
Beautiful Darling
7.3/10
James Rasin's documentary “Beautiful Darling” honors American Transgender actress and best-known Warhol Superstar, Candy Darling, and her all-too-brief life and career, with a combination of current and vintage interview material, rarely seen archival photos and footage, and extracts from Darling's movies.
WR: Mysteries of the Organism
6.7/10
What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions). His surreal documentary-fiction collision WR: Mysteries of the Organism begins as an investigation into the life and work of controversial psychologist and philosopher Wilhelm Reich and then explodes into a free-form narrative of a beautiful young Slavic girl’s sexual liberation.
Burroughs: The Movie
7/10
An exploration of Burroughs’ life story, as told by Burroughs himself along with many of his contemporaries, including Allen Ginsberg, Brion Gysin, Francis Bacon, Herbert Huncke, Patti Smith, Terry Southern, and William Burroughs Jr.
Andy Warhol's Factory People... Inside the Sixties Silver Factory
7.7/10
Takes an in-depth look at the lives and times of the people who hung out with Andy Warhol and "worked" at the Silver Factory during the Sixties, making it all click as a new counter-culture arose and began to exert its influence throughout the arts.
The Queen
7.2/10
In 1967, New York City is host to the Miss All-American Camp Beauty Pageant. This documentary takes a look behind the scenes, transporting the viewer into rehearsals and dressing rooms as the drag queen subculture prepares for this big national beauty contest. Jack/Sabrina is the mistress of ceremonies, and their protégé, Miss Harlow, is in the competition. But, as the pageant approaches, the glamorous contestants veer from camaraderie to tension.
Superstar in a Housedress: The Life and Legend of Jackie Curtis
7.6/10
Andy Warhol described Jackie Curtis as “A pioneer without a frontier.” In this biographical documentary, Curtis’s co-workers and friends speak of her work and her influence, along with clips from Curtis’s Warhol films as well as never-before-seen footage from her stage shows.
Women in Revolt
5.7/10
Three women join a militant feminist group, P.I.G. (Politically Involved Girls), but their newfound liberation doesn't make them any happier.
Jesus
Michel Auder’s Jesus – in which underground NY artists and Warhol superstars openly discuss their beliefs. Jesus – which premiered as a screening at The Kitchen in 1980 – mixes documentary elements such as footage of evangelical TV programs, books, cartoons, paintings, and other Jesus related imagery – with performances including Taylor Mead as a priest in the West Village and Florence Lambert playing a crucified Jesus. Also, intercut throughout are surprisingly candid interviews with Auder’s friends, family, and people he approaches on New York City streets about their faith and relationship to the world’s most famous person. Among those interviewed are Diego Cortez, Jackie Curtis, Gerard Malanga, Alice Neel (Andrew Neel’s grandmother), Larry Rivers, and Viva.
Underground U.S.A.
5.1/10
The Sunset Blvd. of underground cinema, and a suitably ambivalent retrospect on the star-game casualties of New York's upper depths, with Patti Astor statuesquely hysterical as a 20-year-old Norma Desmond, made up to recall Edie Sedgwick and surrounded by Warhol's lost children. We've been here before, but without the hindsight: a camera cruise along a hustler's meat-rack, kitchen-talk over cold canned spaghetti, Taylor Mead grimacing in a spastic dance, the silent stud a sullenly passive observer. Mitchell's ear for campy native wit and eye for figures in a loft-scape happily keep at bay the otherwise contagious NY ennui.
