The best Jō Shishido’s action movies

After botching his latest assignment, a third-ranked Japanese hit man becomes the target of another assassin.

When a mysterious stranger muscles into two rival yakuza gangs, Tokyo's underworld explodes with violence.

A gang lord hires Kamimura, a hit man, to take out a rival boss who's gotten greedy.

While Hirono is in prison, his rival Takeda turns his own crime organization into a political party, whose two executives stir up new tensions in their thirst for power.

Kumokiri Nizaemon, a former samurai warrior, has abandoned his class to become the leader of a gang of thieves. He leads his outlaws in an attempt to rob the castle of his former clan.

Tajima is a private detective in charge of his own company, Detective Bureau 2-3. When warring criminal gangs go overboard by robbing U.S. military munitions, Tajima steps in to stop what the cops can't.

When the mysterious “Joe of Spades” (Jo Shishido) executes one of the bosses of a powerful syndicate, his colleagues, fearing for their own lives, call on the services of assassin agency Murder Unincorporated to take care of the problem. This unique entry showcases some of the most peculiar killing tactics to ever hit Japanese cinema!

The fourth film in the Tales of a Gunman series. When Ryuji throws his pistol into the sea, he is attacked by a man who calls himself Sabu and says that he is the younger brother of Colt Jo's killer. When Ryuji escaped difficulties with one blow knocking out the enemy's weapon, Sabu reveals that Colt Jo is in the hospital in Gifu. Ryuji decides to visit his old enemy. However, he does not know that this is a trap.

The sixth chapter of Jingi Naki Tatakai series With the endless power struggle. The extraordinary combination of Kinji Fukasaku and Bunta Sugawara, along with new ideas and a strong touch of realism, created the sixth movie of the series that describes 'The War of Hiroshima Gangsters' which had lasted almost 30 years after World War II. It can be called the Japanese secret post WWII history. It focuses on the ugly, violent inside struggle of the Yamamori Group of 1959 in Kure City, Hiroshima. Director Kinji Fukasaku, the master of portraying violence and humanity, said "Having making the five previous movies, I found those characters very interesting. So I took a deeper look into them this time." He made this shocking movie with high enthusiasm and revealed the core of gangster's struggle which has never been touched before.

Sadao, is saved from death at the hands of Goro, a killer belonging to a rival gang by Joji just released from prison who has resolved to turn over a new leaf. He has returned, however, because of Keiko, his sweetheart, who he now finds is engaged to Noboru, a detective and son of Jinsaku, boss of the Otsu gang. That night at the night club, headquarters of the Highlight Group - which Noboru is investigating, Majima meets Joji who knows of his attempt to kill Jinsaku, and resolves to kill him.

Patronized by a gang ruling the city, Mako delinquently plays around a night club every night with her bad company. One night, a guy Hideo gets closer to her for one-night stand, and they consequently fall in love. However, Hideo is killed by the gang. Mako swears vengeance on her beloved's murderer.

Two years before they collaborated on the immortal Stray Cat Rock series, director Yasuharu Hasebe and soon-to-be-superstar Meiko Kaji teamed up for this potent gangster flick that also stars the great Joe Shishido (Branded to Kill) and Akira Kobayashi, who would shortly thereafter star in Kinji Fukasaku's epic yakuza series Battles Without Honor and Humanity. Emerging from a stint in prison, yakuza lieutenant Sumukawa (Kobayashi) discovers that his gang has disintegrated while he was in the pen. An ambitious type, he quickly hooks up with another gang (led by Shishido) who promise him a prominent position if he helps them deal with a rival family. But bonds are made to be broken, and pledges of loyalty soon give way to competition, betrayal and — naturally — retaliation. Tough, cynical and violent, Retaliation cheerfully overturns romanticized notions of underworld honour, paving the way for Fukusaku's revisionist yakuza pictures of the 1970s.

Udaka is a new, post-war city where corruption has already taken hold. A persistent district attorney wants to arrest and convict Katsumata, a laughing, self-confident thug. The D.A. gets an anonymous letter about the suicide five years' before of a city council member. Evidence about the case leads the D.A. to Tachibana, struggling to go straight after involvement with the mob and a prison sentence for killing the man responsible for the rape and suicide of his fiancée. One of Tachibana's friends is Keiko, the daughter of the dead councilman and the ward of another powerful official. How do these stories connect?

Businessmen arrange the early release from prison of Togawa, serving time for taking revenge on the truck driver whose carelessness confined Togawa's sister, Rei, to a wheelchair. They want Togawa to hijack an armored truck loaded with 120 million yen; their leverage is to promise him money for surgery for Rei. Togawa consents and plans the heist with three others. The plan is solid, but it doesn't go smoothly. Togawa must improvise, there are traitors somewhere, and double-crosses mount. Can Togawa escape with enough money to help his sister and ensure a passage out of Japan?