The best Eiji Gō’s movies

Harry Kilmer returns to Japan after several years in order to rescue his friend George's kidnapped daughter - and ends up on the wrong side of the Yakuza, the notorious Japanese mafia...

One of the Japanese Shinkansen “Bullet Trains” is threatened with a bomb that will explode automatically if the train slows below 80 km/h, unless a ransom is paid. Police race to find the bombers and to learn how to defuse the bomb.

Agent Zero is a cop that uses her own methods for dealing with criminals. After she unlawfully kills a rapist in a violent fashion, she is sent to prison and stripped of her badge. But very soon after, a rich politician's daughter is kidnapped by a ruthless gang. Agent Zero is let out of prison with the mission of going undercover to find the politician's daughter and return her safely. Using her deadly red handcuffs, she disposes of the criminals one by one.

When a mysterious stranger muscles into two rival yakuza gangs, Tokyo's underworld explodes with violence.

Masutatsu Oyama is recruited by his former Army friend to work for a crew of gangsters, but when they kill both his girlfriend and his best friend, Oyama flees away to a small town where he both learns lessons in martial arts philosophy from a wandering master and helps a young boy take on a challenge to fight a ferocious captured bear to win money for the boy's injured father.

After yakuza boss Kurata dissolves his own criminal empire, a rival kingpin offers a position to Kurata's top operative, Tetsuya "Phoenix Tetsu" Hondo. When the fiercely loyal Tetsu declines, Otsuka taps unstoppable Tatsuzo the "Viper", a ruthless gun-for-hire, to assassinate him. As the Viper trails his target through the countryside, the agile Phoenix Tetsu grows concerned that one of his former associates has betrayed him.

The eighth sequel of the series by the successful “Fukasaku and Bunta” collaboration revolves around the men of a lesser organization that are constantly bullied by the upper organization and “bleed in vain” in gang wars.

A physicist named Tetsuo Okita discovers a new mineral called "Satanium," which is more powerful than uranium and emits destructive effects to anyone exposed to it. However, Destron abducts Okita in hopes of finding the source of Satanium and collecting more of it to expedite their run for global domination. Kamen Rider V3 must act fast in rescuing Professor Okita and preventing Destron from collecting more of the deadly mineral.

A look at the life of renegade yakuza, Rikio Ishikawa, particularly the years from 1946 to 1950 when his violent antics get him in trouble with his own clan, Kawada, and then with the clan of his protector, Kozaburo Imai. In these years, he can rely on Chieko, a young Tokyo courtesan who gives him shelter. He's banished to Osaka, where he picks up a drug habit. Through it all, he keeps his friends and enemies off balance with unpredictable behavior - and he seems indestructible.

Three street toughs are hired to take down a Tokyo drug dealer.

When the mysterious “Joe of Spades” (Jo Shishido) executes one of the bosses of a powerful syndicate, his colleagues, fearing for their own lives, call on the services of assassin agency Murder Unincorporated to take care of the problem. This unique entry showcases some of the most peculiar killing tactics to ever hit Japanese cinema!

The fourth film in the Tales of a Gunman series. When Ryuji throws his pistol into the sea, he is attacked by a man who calls himself Sabu and says that he is the younger brother of Colt Jo's killer. When Ryuji escaped difficulties with one blow knocking out the enemy's weapon, Sabu reveals that Colt Jo is in the hospital in Gifu. Ryuji decides to visit his old enemy. However, he does not know that this is a trap.

Detective Kikuchi is sent to Okinawa to investigate why a girl jumped from a window after shooting heroin. There, he encounters the usual assortment of addicts, dealers, pimps and sleazy American GIs.

Karate master and anti-drug vigilante Chiba returns to his home in Japan, where he holds a press conference announcing his intention to wipe out the nation's drug industry. He also offers his services as a bodyguard to anyone who is willing to come forward and provide information about the drug lords' activities. He is soon approached by a mysterious woman claiming to have important information and asking for Chiba's protection. She seems to be legitimate, but is she really what she appears to be?

When a priceless jewel owned by rich heiress Sabine is stolen, along with her daughter, Professional thief and hired killer Ryuichi Koga and his gang are hired to retrieve both. At a ransom exchange, the team save the girl but lose the money and the jewel. When Sabine decides to deal directly with the thieves and obtains the jewel on her own by paying the ransom, Koga, having been stiffed of his fee by Sabine, steals the jewel. Little does he know, it’s a fake. Now, Koga and the team must break into a high security bank to steal the real jewel.

Goro has always been a lone wolf. When he arrives at an industrial city in Keihin, there is certain restlessness in the air. The Iriezaki family and the Kanto Touyu-kai were in the midst of a territorial dispute. Goro was quick to notice, but had no intent to take sides. At a department store nearby, he sees an elevator lady being harassed by a couple of hoodlums. Goro decides to intervene. Unbeknownst to him, the hoodlums are Touyu-kai members – and the girl has strong ties with the opposing family.

Two years before they collaborated on the immortal Stray Cat Rock series, director Yasuharu Hasebe and soon-to-be-superstar Meiko Kaji teamed up for this potent gangster flick that also stars the great Joe Shishido (Branded to Kill) and Akira Kobayashi, who would shortly thereafter star in Kinji Fukasaku's epic yakuza series Battles Without Honor and Humanity. Emerging from a stint in prison, yakuza lieutenant Sumukawa (Kobayashi) discovers that his gang has disintegrated while he was in the pen. An ambitious type, he quickly hooks up with another gang (led by Shishido) who promise him a prominent position if he helps them deal with a rival family. But bonds are made to be broken, and pledges of loyalty soon give way to competition, betrayal and — naturally — retaliation. Tough, cynical and violent, Retaliation cheerfully overturns romanticized notions of underworld honour, paving the way for Fukusaku's revisionist yakuza pictures of the 1970s.