The best Ivan Cardoso’s movies

Ivan Cardoso

Ivan Cardoso

01/10/1952 (71 años)
Today we present the best Ivan Cardoso’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Ivan Cardoso’s movies.

The Agony

The Agony
7.3/10
Cropped hair, a rosemary branch behind the ear, yellow shirt of shiny satin, he's behind the wheel of his car when passing by a woman who walks by the roadside. Strongly painted lips, printed dress with round skirt and red shoes matching the color of the lipstick, she catches his attention. He gives her a ride, the two of them stare in silence for a few moments. They introduce themselves to one another and between the two establishes an absurd dialogue and full of metaphors. And they are driving around in corners of Rio de Janeiro, to the sound of Noel Rosa and Lamartine Babo. Eva and Antena, she a seer, he, an assassin on the run, initiate an unusual case of love, a marginal love, where boredom often gives way to tragedy, creating the agony of a holiday spent in an abyss.

The Mandarin

The Mandarin
7.1/10
  • Genre: History
  • Release: 01/01/1996
The history of Brazilian popular music in the 20th Century, focusing specially on the life and works of intriguing singer Mário Reis, a loner who, with his special way of singing - whispering and softly saying the words - in a time when singers with potent voices ruled, was in a way a forerunner of Bossa Nova style.

Carícia Fatal

Carícia Fatal
  • Release: 09/09/2007
Comedy/horror short film shot during a 4-day workshop of filmmaking at 2007's MOTELx Lisbon International Horror Film Festival.

Sangue Marginal

Sangue Marginal

Torquato Neto - Every Hour of the End

Torquato Neto - Every Hour of the End
7.5/10
  • Genre: Documentary
  • Release: 11/10/2017
  • Character: Himself
The story of Brazilian poet Torquato Neto, who lived passionately through fracturous times and worked in several fields, including music, journalism, and cinema. He was an active participant in the revolution of Tropicália and marginal art, which changed the course of Brazilian culture in the 1960s and 1970s, until he committed suicide on his 28th birthday.

A Vermelha Luz do Bandido

A Vermelha Luz do Bandido
Experimental documentary short that debates over Rogério Sganzerla's Brazilian cult classic "The Red Light Bandit".

Uma Estrela pra Ioiô

Uma Estrela pra Ioiô
6.9/10
  • Release: 22/11/2003
  • Character: Salesman
Antônio wants to give his girlfriend, the prostitute Ioiô, a star. He meets a salesman who claims he can get one for him, with certificate included! After many negotiations, Antônio finds out he has been taken in.

A Hora do Terrir

A Hora do Terrir

Corman's Eyedrops Got Me Too Crazy

Corman's Eyedrops Got Me Too Crazy
6.9/10
  • Genre: Documentary
  • Release: 27/01/2020
  • Character: Self
A totally Cardoso-appropriated footage delirium, done as a tribute to US independent cinema's original rebel. In the end, Corman himself blesses Cardoso by saying: "You blended horror, sex and humour very well. And particularly the editing is very good because the film never lagged or slowed down". Which film? This one!

Que Buceta do Caralho, Pobre só se Fode!!!

Que Buceta do Caralho, Pobre só se Fode!!!
  • Release: 01/01/2007
  • Character: Narrador
A couple in crisis is about the Brazilian middle class.

Fantasporto – Carnaval no Porto

Fantasporto – Carnaval no Porto
  • Release: 01/01/2000
A look into the Porto Fantastic Film Festival at Portugal.

A Miss e o Dinossauro

A Miss e o Dinossauro
6.3/10
  • Genre: Documentary
  • Release: 10/05/2005
  • Character: Himself (archive footage)
A short documentary on Belair, an independent Brazilian film company that lasted for only five months in 1970.

Mr. Sganzerla: Os Signos da Luz

Mr. Sganzerla: Os Signos da Luz
8.4/10
A documentary on prolific underground Brazilian filmmaker Rogério Sganzerla.

Ivan, the TerrirBle

Ivan, the TerrirBle
8.4/10
Ivan Cardoso is the inventor of the terrir, a subgenre that mixes comedy, Brazilian chanchadas and classic American horror. This film promotes a rescue of his work by mixing archival material, animations and fictional reconstructions.

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