The best Caetano Veloso’s movies
We present our ranking of the best Caetano Veloso’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Caetano Veloso.
Tabu
6.6/10
The fictional encounter in Rio de Janeiro, Brazil (in the 30s) between popular songwriter Lamartine Babo and inconoclast poet and playwright Oswald de Andrade.
Talk to Her
7.9/10
Two men share an odd friendship while they care for two women who are both in deep comas.
Orfeu
5.5/10
Orfeu is a popular composer from a samba school. He lives in the favela and falls madly in love when he meets Euridice, a newcomer to the neighborhood. But the local drug boss Lucinho stands between them and will drastically change both their lives.
Raul - O Início, o Fim e o Meio
7.9/10
As the world boiled in the rush of Easy Rider bikes, in the frenetic pace of Elvis Presley, in Beatniks poets, in the explosion of counterculture, a boy from Bahia gave birth to Rock in Brazil. A runaway flying saucer that abducted the hearts and minds of thousands of fans, Raul Seixas, a man who became a myth. Raul died young because he lived intensely. Rock n 'roll, free love, alternative society, drugs, black magic, military dictatorship, women and daughters. A man who wanted to live from his work and died for it. The beginning, the end and the middle are confused, because the story is not over. The film reveals through rare images of archive, meeting with relatives, conversations with artists, producers and friends, the trajectory of the legend of Rock.
Heliorama
A collage of newsreels, trailers, clips and other visionary and unseen fragments of sight and sound regarding the late plastic artist Helio Oititica.
Tropicália
7.2/10
Set against the turbulent atmosphere of the 1960s, Tropicália is a feature length documentary exploring the Brazilian artistic movement known as tropicália, and the struggle its artists endured to protect their right to freely express revolutionary thought against the traditional brazilian music of that time.
Welcome to São Paulo
6.3/10
All the feature is given prestige to by the narration in Caetano Veloso's voice, that also signs one of the segments of the project. São Paulo is the largest city of the Southern Hemisphere, with an incessant dynamics of cultural mixtures, with immigrants of all the world and migrants of all parts of Brazil. The gathering of these peculiarities are seen through the 13 film directors's sensibilities and their segments.
New Wave
4.9/10
A group of eleven women organize a soccer team, as a manifesto against sexism.
The Inheritors
6.8/10
An allegory about Brazil's history and the struggle for power since the 1930 Revolution until the advent of the TV.
Fabricating Tom Zé
7.6/10
The life and work of one of the most controversial Brazilian musicians, having as its backdrop Tom Zé's 2005 European Tour. The documentary shows a detailed vision of Tom Zé's personal musical universe, in which a guitar and a vacuum cleaner have the same melodic importance. In intimate interviews, he narrates different parts of his life and tells us about his musical debut in the early 60s, his downfall during the 70s, and his 90s comeback.
Vinicius de Moraes
7.9/10
To celebrate the life and the work of a multifaceted creator – playwright, poet, partner of the most important names of Brazilian pop music and, above all, an enlightened character of the Brazilian cultural history - director Miguel Faria Jr. gathered an incomparable cast of partners, singers, friends and rare images from the archives recalling Vinícius’ genial simplicity, with the spontaneity, the humor, and the freedom of a person chatting over a bar table, exactly how the eternal Vinícius would enjoy.
Fênix
Wandering Heart
7.1/10
Wandering Heart intimately follows Caetano from São Paulo to New York and Japan, during the release of his first album recorded solely in English. It takes considerably more than a week-long series of shows at Carnegie Hall, accolades in the New York Times, or the admiration of friends like Pedro Almodóvar, David Byrne and Michelangelo Antonioni to make Caetano feel comfortable outside of Brazil.
Fados
7.1/10
A drama steeped in Portugal's Fado music culture.
A Farra do Circo
6.6/10
This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.
Bahia de Todos os Sambas
7.3/10
The Demiurge
6.5/10
A colorful feature film that mixes exile with the figure of the poet Rimbaud and the feminist revolution. "It's super-intellectual. A fable-musical-philosophical-chanchada", Mautner says. He also affirms that the work focuses a lot on the longing for Brazil, on the will that the exiled had to return to their homeland. The idea came from conversations between the musician and his old father, "always talking about the pre-Socratics", he recalls. Glauber Rocha states that "The Demiurge" is the best film "of" and "about" exile.
As Aventuras de Agamenon, o Repórter
2.8/10
The trajectory of the clumsy reporter Agamenon Mendes Pereira, always present in key events of history, his biggest scoops and his eternal love for Isaura, who survives his unexpected travels around the world, in search of news and fame.
Music According to Tom Jobim
7.8/10
Half a century ago, Brazilian composer and musician Antonio Carlos "Tom" Jobim (1927-1994) introduced bossa nova to a worldwide audience with "The Girl from Ipanema." This relaxed, cool, sensuous music blended jazz and samba. After recording an album of songs by his friend Jobim, Frank Sinatra is reported to have said, "I haven't sung so quietly since I had laryngitis." Naturally, "The Girl from Ipanema" and Frank Sinatra are featured in this musical collage of countless seamlessly edited excerpts of concert footage that cover decades of events all over the world: from Rio de Janeiro to Lisbon, Paris, Copenhagen, Jerusalem, Tokyo, Montreal, New York and back to Rio.
The King of the Candle
7.3/10
Filming of the historical montage of Oswald de Andrade's play, where decadent millionaires, depraved children, corrupt and implacable capitalists are the characters interpreted by the Grupo Oficina, in a celebrated theatrical performance from 1967, fundamentally recorded in 1971 and released only in the 1980s.
