The best Hugo Carvana’s movies

Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.

God decides to take a vacation, but first He has to find a saint who can rule the universe while He's away. So He goes to the Northeast of Brazil, where He believes there's a very good man for the job. As soon as He comes down to Earth, a young man comes along to help on His quest.

The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.

A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.

The movie shows the life of brazilian actress Leila Diniz, who dies in a plane crash.

Born a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically transforms into a white man before making an adventure-filled trip to the city of São Paulo. Once there, he becomes something of a dandy, falling in love with Ci, a revolutionary who dies in an accidental bombing. After robbing a ruthless industrialist, Macunaima returns to his village where he finds his newly acquired knowledge and possessions of little use.

Invoking Africa’s brutally violent and complex colonial histories in the film’s polyglot, hydra-headed title, Glauber Rocha transposes his radical allegory of oppression from the Brazilian backlands of his Cinema Novo classic Antonio das Mortes (1968) to the Congolese savanna. A white-robed preacher wanders and sermonizes across African lands; European communists and CIA spies conspire out of mutual self interest to engineer the appointment of an African bourgeois to a puppet government presidency; and a revolutionary group marches in exile.

This film captures the criminal behavior of two young Copacabana thugs (the "cafajestes"). The two plan a blackmail coup against a rich old man, using nude pictures of a lady on a deserted beach. But things don't always happen as planned.

An accident at a construction site, resulting in one death, sets one worker off on a struggle for justice that exposes the mechanisms of exploitation and the class relations of a country that had undergone one decade of fast-paced ‘conservative modernisation’ at the hands of the military. As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.

A group of armed soldiers is sent to the Northeast of Brazil in an attempt to stop a famine-struck population from invading and stealing a food deposit in the dry backlands. While the alienation and insanity of people driven to hallucination by their latent hunger is conducted by the predictions of a religious figure, a truck driver observes the situation and remains torn between his friendship with the soldiers and his revolt against the lack of government action in fighting the misery that lingers over the region.

A rich, spoiled young man encounters a prostitute and gets confused about the nature of his feelings for her. He can't decide between attraction and repulsion.

An allegory about Brazil's history and the struggle for power since the 1930 Revolution until the advent of the TV.

Giovanni Improtta is an offender who want to legalize and ascend socially. To this end, commit some offenses. Is betrayed in the crosshairs of the media and the police, under a wrongful murder charge difficult to be resolved through legal means.

A small town girl, who's an aspiring singer, tries to make a living out of music in the big city of Rio de Janeiro.

Passively facing the repression imposed by military dictatorship in Brazil in the 60s, a journalist gets into a personal crisis, aggravated by his love affair with an industrialist's wife, who doesn't want to leave her home because of her son