The best Isabel de Castro’s drama movies
If you love cinema, you will share this ranking of the best Isabel de Castro’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Isabel de Castro.
Blood
7.3/10
Vicente, seventeen, lives with brother Nino, ten-years-old, and his ailing father in a derelict house on the outskirts of the capital. They don't seem to remember their mother, and are very much attached to their father, despite his temper, and his frequent absences from home. One day, the father leaves for good, and Vicente and Nino swear to cover it up. It's their secret. Clara, the primary school assistant, is fascinatingly beautiful, and secretive, and (may be) she knows it aswel. There are other secrets, though: the origin of the money that appears at Vicente's house; the relationship between Vicente's well-to-do uncle and his girlfriend; the relationship between the four people who once played the cards together, and now can't stand each other.
Hard Times
6.9/10
A film adaptation of the Charles Dickens novel "Hard Times" set in a Portuguese industrial town of the 1980s.
Casa de Lava
6.9/10
The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.
La leyenda de Balthasar el Castrado
7/10
At the end of the seventeenth century, in Naples, still dominated by the Spaniards, a young pupil, Balthasar,is castrated to preserve the purity and beauty of his voice. The Duchess dies and her son, the Duke of Arcos, takes charge of the inheritance, which includes Balthasar. With the entrance of Maria Loffredo, former lover of the Duke, a triangle is established that unchains tragic consequences to the allegedly callous life of Balthasar.
Family Matters
5.4/10
Jan thinks he is Swedish-Danish, but after his mother's death he discovers he was adopted. As his world begins to fall apart, he decides to find his birth parents. The hunt leads him to Portugal - in a taxi - where more surprises await him.
Gloria
5.6/10
Gloria is set against the backdrop of a rural landscape slowly disappearing in modern Portugal. The small border town of Vila de Santiago, once a booming trade center for illegal trafficking, is about to become a ghost town, as a new motorway is to bypass the city and the railway station is being closed. Its stationmaster, Vincente, is preparing to retire. Many young people have moved out, leaving the children to be brought up by the elderly, including thirteen-year-old Glória and her friend Ivan. Glória's life suddenly changes with the arrival of Vincente's younger brother, Mauro, who has just come out of prison and has some old issues to settle. Mauro begins to charge around the station on his motorbike, while Glória's friendship with Ivan is put to test on account of her attraction to older Mauro.
The Mountains of the Moon
5.9/10
This visually striking drama is taken from the classic Japanese novel Tales Of Genji by Marasaki Shikibu. Set in modern Portugal, Joao (Luis Miguel Cintra) is a left-wing political leader and ladies man with a bright future. His ex-wife Isabel (Manuela de Freitas) both loves and hates him as Joao plays on her wavering emotional state. He is sent to Italy to retrieve wayward family member Antonia (Caroline Chaniolleau), the beautiful young woman with a terrorist boyfriend. Joao is forced to recognize his feelings as the political and amorous climate changes around him.
Brandos Costumes
6.3/10
A portrait of the everyday life of a typical middle-class family in parallel with the fall of the "Estado Novo", the 48-year dictatorship led by Salazar. The daughters' conflicts and frustrations with their parents, their grandmother and their maid find an obvious echo in the country's collective events. The Carnation Revolution is about to explode.
Sans elle...
5.2/10
Johnny, aged 20, can't live without Fanfan, his twin sister. There is a very particular intimacy between them. They walk together everywhere, share the same room, the same tastes, the same bike, the same camping tent. But also a conflict principle sets in. Oppressed by his overbearing need, she decides to head for the south of Portugal, the country of their parents. His dreams are shattered; he feels deeply betrayed by his sister. Caught between his father who is preparing to retire to Portugal and his mother who refuses to leave France, he tries to work out his own identity. His passion for rock music gets him involved with his sister's former lover. By following this charismatic leader preaching dubious ideology, he risks losing his "gentle half" forever. Meanwhile in Portugal, she becomes disillusioned. Will they manage to grow up without each other?
Voyage to the Beginning of the World
6.9/10
Manoel is an aging film director who travels with the film crew through Portugal in search of the origins of Afonso, a famous French actor whose father emigrated from Portugal to France and in process remembers his own youth.
Xavier
6.9/10
Xavier returns to Lisbon after a military stint, determined to lead a meaningful life, only to find his world closing in on him.
Fado, Major and Minor
6.3/10
Pierre, a middle-aged tourist guide, is the victim of a sudden failure : he does not recognize anything about him any longer. He goes back home and in his apartment he finds a mysterious young man who tells him he is here to avenge a young woman who has taken her own life. What share of responsibility does Pierre hold in this situation?
A Portuguese Farewell
6.2/10
In Africa, during the colonial war, a patrol is lost in the bush and a soldier dies in operation. Twelve years later, in Portugal, the soldier family meets in peace.
O Anjo da Guarda
6.8/10
Lúcia is an independent woman who lives alone in Lisbon. Her father commits suicide leaving her a message on phone recorder, revealing a letter he wrote. However Lúcia can't find it in her father's house. On that visit she ends up meeting with her mother, a known political activist with whom she has a distant and tense relationship. In hope of finding the letter, Lúcia leaves to the farm where she grew up, on an isolated location. There she reencounters Álvaro, an old childhood companion, who shares a little life time he has left between roses and the piano, and the guardian angel that follows and protects her through nocturnal wanderings.
Three Less Me
6.3/10
A young woman, working as sales-girl at a shopping center's music shop, wants someone with whom to share her secrets. A distant mother separating from her father, an aunt who emigrated to France, and her pre-adolescent sister, can't do - neither the boyfriend. Such a confident arrives unexpectedly - but then there are three of them, one too much. One leaves, but then another young man arrives, and there are three again. One must go. A sad young adult love story, told in the first person, singular - and ultimately alone, under the rain.
Amo-te Teresa
6.1/10
Amo-te Teresa tells the forbidden love story of Teresa and Miguel, aged 35 and 15, respectively. Teresa is a doctor and, after a frustrated love life, she decides to abandon Lisbon and returns to her native land. Immediately, a strong attraction forms between Teresa and Miguel, a friend of her oldest son.
Fado Corrido
6.5/10
A Marialist nobleman falls in love with a fado singer, who puts an end to the ephemeral relationship, accepting the love of a teenager, recently arrived from Africa.
The Conversation Is Over
6.3/10
The film was to be a documentary, but evolved during production to a fictional film. It nevertheless adheres strictly to the poems and letters exchanged by two of the most outstanding names of the Modernist Movement, Fernando Pessoa (in Lisbon) and Mário de Sá-Carneiro (in Paris). Their endless conversation was dramatically and suddenly terminated.
No Trace of Sin
6.4/10
A young man from a high-bourgeois family, Henrique receives mysterious phone calls from a woman at the barracks where he is serving in the military, which attracts him to meetings without consequences.
As Pupilas do Senhor Reitor
5.8/10
The characteristic loves of Margarida and Clara, the distinct moral of Pedro and Daniel, the goodness of João Semana, and the dissidents, sensibility, tenderness, rituals and landscape involvement of the Minho.
