The best Canto e Castro’s movies
Today we present the best Canto e Castro’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Canto e Castro’s movies.
Revenge of the Musketeers
5.8/10
It is 1654, in the South of France. When horsemen follow a runaway slave into the convent where he's taken sanctuary and kill both the fugitive and the Mother Superior, they little realise that one of the novices is the spirited daughter of retired musketeer D'Artagnan.
Captains of April
7.1/10
Story of the 1974 coup that overthrew the right-wing Portuguese dictatorship--which continued the fascist policies of long-time dictator Antonio Salazar--and of two young army captains who were involved in it.
Jaime
7/10
A woman takes her young son, leaves her husband and moves in with her lover. The boy, desperate to get his parents back together, becomes convinced that if only he can get his father's stolen motorcycle back everything will be fine again, so he sets out to get enough money to buy his father a new one.
Foreign Land
7.4/10
After the death of his mother, a young Brazilian decides to leave his country and travel to her native land. In a foreign land, he finds love and danger.
Blood
7.3/10
Vicente, seventeen, lives with brother Nino, ten-years-old, and his ailing father in a derelict house on the outskirts of the capital. They don't seem to remember their mother, and are very much attached to their father, despite his temper, and his frequent absences from home. One day, the father leaves for good, and Vicente and Nino swear to cover it up. It's their secret. Clara, the primary school assistant, is fascinatingly beautiful, and secretive, and (may be) she knows it aswel. There are other secrets, though: the origin of the money that appears at Vicente's house; the relationship between Vicente's well-to-do uncle and his girlfriend; the relationship between the four people who once played the cards together, and now can't stand each other.
The Last Dive
7/10
Eloi, a paunchy middle-aged man, finds Samuel, a young sad sack, about to kill himself by plunging into the sea. Eloi takes Samuel under his wing, giving him a hot meal and bringing him to a seedy night club to introduce him to Esperança, who is said to be the most beautiful sex worker in Lisbon—and is also Eloi’s daughter.
La Gamine
3.6/10
A teen girl is wrongfully suspected for a crime. A former cop helps her to proof her innocence. There's only one problem : her behavior brings the two of them more than once in trouble.
Os Abismos da Meia-Noite
6.2/10
Irene is an agent for an insurance company. She is given the job of investigating the disappearance of an elderly librarian in a provincial town. During her investigations she meets a history teacher - Ricardo - who knew the librarian and is interested in local legends. Irene happens to hear about a very old medieval castle which, according to legend, has a secret entrance that opens mysteriously on Christmas night as the clock strikes twelve.
A Sombra dos Abutres
6.6/10
Two simple, unassuming, apolitical men have their lives changed forever when they find themselves hunted by agents of the ruling dictatorship.
Lavado em Lágrimas
5.3/10
João is a freelance television journalist. When he begins a new story about an old pigeon breeder in a poor neighborhood on the outskirts of Lisbon, João meets Ana, his teenage granddaughter, a mysterious character who is beginning to exercise an irresistible fascination for him.
With the time João starts to lose the interest in the pigeon breeder and begins to take an interest in Ana and her world, which she only shares with another abandoned kid, until she realizes that her life is full of dark stories.
The Jew
6.3/10
The story of Brazilian Antônio José da Silva, a jewish poet, playwright and lawyer living in the 18th Century Lisbon, who managed to avoid Inquisition by converting himself to Catholicism, after being tortured. But his fierce criticism of Portugal's élite led him to persecution and torture, becoming kind of a scapegoat.
Word and Utopia
6.5/10
The story of Father Antonio Vieira, a 17th-century Portuguese priest who lived in Brazil and worked for better treatment of the Indians and to abolish slavery.
Low-Flying Aircraft
6/10
Based on a the short story "Low Flying Aircraft" by J.G. Ballard and set in a near future where humans are dying breed. Judite and André flee to a semi-abandoned apartment complex to protect their mutant child from certain death.
The Charlots Return
3/10
Antonio returned to Portugal ten years ago with his lovely (and quite thin) French wife. She has since become quite a hefty specimen of womanhood, and his eye has lately been wandering to others. When his strong-tempered wife catches him with another woman (their neighbor), she bonks him on the head. In order to avoid further embarrassment, he pretends this has induced amnesia. He does so well in his pretense that his worried wife calls his old Parisian buddies (the rest of the Charlots) and asks them to come and help revive his memory.
Longe da Vista
6.7/10
In order to make some much-needed cash for himself, 65-year-old Portuguese prison inmate Eugenio impersonates a young woman and begins a romantic correspondence with a lonely Portuguese truck-driver living in Boston, convincing him that her tragic life has culminated in financial dire straits so he will send money. At first Eugenio's sister Idalina assists him in creating the character of Maria da Luz. Touched by her sweetness and apparent loving nature, the trucker willingly sends her money. When Idalina starts fearing they will be caught, she backs out of her arrangement with Eugenio who then convinces his young cellmate Vasco to help write the letters and even sends a picture of himself at age seven to "prove" that Maria has a young son. As prison life exacts an increasingly heavy toll upon Eugenio's health, his feminine alter-ego helps sustain him.
Day of Despair
6.7/10
Portrait of the last days of the life of Portuguese writer Camilo Castelo Branco.
Dina and Django
6.6/10
Dina (Maria Santiago) is a teenager brought up by her grandmother, employed as a housekeeper for a fairly well-off family. Since Dina only has her grandmother, she spends her time fantasizing about her life and reading comic-book love stories -- activities that do nothing to improve her dim perspective of reality. Due to these handicaps and her own inexperience, she gets involved with Django (Luis Lucas), a shady character who decides to use her as bait to attract men and then rob them. One day when both are in a taxi with robbery in mind, the driver gets suspicious so Django shoots him, and so does Dina. She escapes and runs away -- though it seems like she has learned too little too late. This story unfolds against a time of upheaval in Portugal (mid-1970s) when the military government is formulating a constitution and social changes are happening everywhere.
Portugal S.A.
6.1/10
The story of the CEO of a recently privatized company.
Traffic
5.5/10
Young Jesus is taken on a vacation by his parents (Rita Blanco, Adriano Luz) to a deserted beach resort. They accidentally fall into overnight wealth after Jesus digs in the sand, uncovering a large drug stash. Others characters intersecting here include an alcoholic actress, a philandering banker, a general trafficking in arms, priests who close their church and head north as hitchhikers, politicians who watch an all-girl production of Julius Caesar, and beggars who recite a children's story in a huge heap of trash.
Mensagem
6.4/10
Based on the work by Fernando Pessoa - a "message" about the destinies of Portugal - not just in isolation but looking at them as precursors and announcers of the fate of the entire planet.
