The best Ingrid Thulin’s movies on Google Play Movies
Ingrid Lilian Thulin (Swedish pronunciation: [ˈɪŋːrɪd tɵˈliːn]; 27 January 1926 – 7 January 2004) was a Swedish film actress.
Thulin was born in Sollefteå, Ångermanland, northern Sweden, the daughter of Nanna (née Larsson) and Adam Thulin, a fisherman. She took ballet lessons as a girl and was accepted by The Royal Dramatic Theatre ("Dramaten") in Stockholm 1948.
For many years she worked regularly with Ingmar Bergman; among other films, Thulin appeared in Bergman's Wild Strawberries (1957), The Magician (1958, where she acted dressed as a boy), in Winter Light (1962), as well as The Silence (1963) and Cries and Whispers (1972).
She shared the Best Actress award at the 1958 Cannes Film Festival and received a Guldbagge Award for Best Actress in 1964, the first year the award was given out, for her performance in The Silence. Winner of the David di Donatello Awards 1974, Thulin was also been nominated for the BAFTA Award the same year. In 1980, she was the head of the jury at the 30th Berlin International Film Festival.
She was married to Harry Schein, the founder of the Swedish Film Institute, for more than 30 years until 1989, although they had lived separately for many years before the divorce. She bought an apartment in Paris, France in the early 1960s and some years later a beach house in San Felice Circeo. In 1970 she became a resident of Sacrofano, Italy, where she lived for 34 years. She returned to Sweden for medical treatment and later died from cancer in Stockholm, Sweden, 20 days shy of her 78th birthday.
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Winter Light
8/10
A Swedish pastor fails a loving woman, a suicidal fisherman and God.
The Cassandra Crossing
6.3/10
Passengers on a European train have been exposed to a deadly disease, and nobody will let them off the train.
The Silence
7.7/10
Traveling through an unnamed European country on the brink of war, sickly, intellectual Ester, her sister Anna and Anna's young son, Johan, check into a near-empty hotel. A basic inability to communicate among the three seems only to worsen during their stay. Anna provokes her sister by enjoying a dalliance with a local man, while the boy, left to himself, has a series of enigmatic encounters that heighten the growing air of isolation.
The Magician
7.6/10
When 'Vogler's Magnetic Health Theater' comes to town, there's bound to be a spectacle. Reading reports of a variety of supernatural disturbances at Vogler's prior performances abroad, the leading townspeople (including the police chief and medical examiner) request that their troupe provide them a sample of their act, before allowing them public audiences. The scientific-minded disbelievers try to expose them as charlatans, but Vogler and his crew prove too clever for them.
Brink of Life
7.3/10
Set in a hospital where three women meet either because they have been through an abortion or are due to give birth.
The Four Horsemen of the Apocalypse
6.5/10
Karl from Germany and Marcelo from France emigrated to Argentina and became brothers-in-law. Karl soon returned to Germany to serve in the army. Marcelo and his children Julio and Chichi became Argentinean citizens but later returned to Paris. Karl became a general with a son (Heinrich) in the SS and in WWII he got a high job within the occupation administration in France.
After the Rehearsal
7.1/10
Rational, exacting, and self-controlled theater director, Henrik Vogler, often stays after rehearsal to think and plan. On this day, Anna comes back, ostensibly looking for a bracelet. She is the lead in his new production of Stindberg's "A Dream Play." She talks of her hatred for her mother, now dead, an alcoholic actress, who was Vogler's star and lover. Vogler falls into a reverie, remembering a day Anna's mother, Rakel, late in life, came after rehearsal to beg him to come to her apartment. He awakes and Anna reveals the reason she has returned: she jolts him into an emotional response, rare for him, and the feelings of a young woman and an older man play out.
The Rite
7/10
A judge in an unnamed country interviews three actors, together and singly, provoking them while investigating a pornographic performance for which they may face a fine. Their relationships are complicated: Sebastian, volatile, a heavy drinker, in debt, guilty of killing his former partner, is having an affair with that man's widow. She is Thea, high strung, prone to fits, and seemingly fragile, currently married to Sebastian's new partner, Hans. Hans is the troupe leader, wealthy, self-contained, and growing tired. The judge plays on the trio's insecurities, but when they finally, in a private session with him, perform the masque called The Rite, they may have their revenge.
