The best Gunnel Lindblom’s movies

Swedish thriller based on Stieg Larsson's novel about a male journalist and a young female hacker. In the opening of the movie, Mikael Blomkvist, a middle-aged publisher for the magazine Millennium, loses a libel case brought by corrupt Swedish industrialist Hans-Erik Wennerström. Nevertheless, he is hired by Henrik Vanger in order to solve a cold case, the disappearance of Vanger's niece

When disillusioned Swedish knight Antonius Block returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death to a chess match for his life. Tormented by the belief that God does not exist, Block sets off on a journey, meeting up with traveling players Jof and his wife, Mia, and becoming determined to evade Death long enough to commit one redemptive act while he still lives.

Devout Christians Töre and Märeta send their only daughter, the virginal Karin, and their foster daughter, the unrepentant Ingeri, to deliver candles to a distant church. On their way through the woods, the girls encounter a group of savage goat herders who brutally rape and murder Karin as Ingeri remains hidden. When the killers unwittingly seek refuge in the farmhouse of Töre and Märeta, Töre plots a fitting revenge.

Johan and Marianne are married and seem to have it all. Their happiness, however, is a façade for a troubled relationship, which becomes even rockier when Johan admits that he's having an affair. Before long, the spouses separate and move towards finalizing their divorce, but they make attempts at reconciling. Even as they pursue other relationships, Johan and Marianne realize that they have a significant bond, but also many issues that hinder that connection.

Crotchety retired doctor Isak Borg travels from Stockholm to Lund, Sweden, with his pregnant and unhappy daughter-in-law, Marianne, in order to receive an honorary degree from his alma mater. Along the way, they encounter a series of hitchhikers, each of whom causes the elderly doctor to muse upon the pleasures and failures of his own life. These include the vivacious young Sara, a dead ringer for the doctor's own first love.

A Swedish pastor fails a loving woman, a suicidal fisherman and God.

Traveling through an unnamed European country on the brink of war, sickly, intellectual Ester, her sister Anna and Anna's young son, Johan, check into a near-empty hotel. A basic inability to communicate among the three seems only to worsen during their stay. Anna provokes her sister by enjoying a dalliance with a local man, while the boy, left to himself, has a series of enigmatic encounters that heighten the growing air of isolation.

In 1890, Pontus, the starving writer, wanders the streets of Christiania, in search of love and a chance to get his work published. All he meets is defeat and suffering while his sense of reality is withering. One moment he is delighted and the next he curses everybody. All the time he manages to maintain human dignity and pride.

Agnes, a lonely teenage girl, and her father befriend an escaped convict, named Joseph, who arrives at their farm in Brittany, France. When Joseph develops an attraction to Agnes, her father threatens to break up the union.

A theater company rehearses Aristophanes play "Lysistrata" in which the Athenian women revolt to force the men to suspend the war and make peace. The three leading female actresses, Liz, Marianne and Gunilla, all live in humiliating circumstances to their men.

For her feature film directing debut, actress Mai Zetterling turned to Agnes von Krusenstjerna's controversial masterpiece of Swedish feminist literature, "The Misses von Pahlen," an intense and personal seven-part novel that has been likened to the great works of D.H. Lawrence. As three pregnant women from different backgrounds wait to have their babies in a hospital in Stockholm at the outbreak of the Great War, they relive their childhood and youthful experiences via individual flashbacks. Drawing on the classic Ingmar Bergman style of Swedish filmmaking and collaborating with many of his favorite actors as well as the great cinematographer Sven Nykvist, Zetterling had produced a powerful fusion of personal emotional drama and a commentary on the role of women in a society in moral decline.

A focuses on 1957, one of the most prolific years for the Swedish director. During the year he shot two films, opened two of his most celebrated films (The Seventh Seal and Wild Strawberries), and produced four plays and a TV movie while juggling with a complicated private life.

Sweden 1889. The young Per Nilsson has a very dominant mother, Anna Månsdotter. His father died many years ago and he and his mother have for a long time been in a incestuous relationship. But Per marries Hanna for the sake of her money and Anna is mean and evil towards her, and Per refuses to have sex with her. She starts to suspect that something is going on between her husband and stepmother.

A meaningful account of the personal and professional life of the great Swedish filmmaker Ingmar Bergman (1918-2007) that explores his film legacy, with interviews with his closest collaborators and a new generation of filmmakers.

A relay race of "scenes from human life". Depicts the human characters inferior traits are spreading like a disease: the person who gets rejected / humiliated / oppressed takes it out on someone else.

Sally, a 28-year-old social worker who has just broken up from a ten-year marriage. She seeks freedom, but has trouble living alone. She soon finds a new man, lawyer Jonas, but Sally knows that the past is chasing her and do things more difficult for her freedom quest.