The best Ilse Trautschold’s movies
Today we present the best Ilse Trautschold’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Ilse Trautschold’s movies.
Westfront 1918
7.4/10
A group of German infantrymen of the First World War live out their lives in the trenches of France. They find brief entertainment and relief in a village behind the lines, but primarily terror fills their lives as the attacks on and from the French army ebb and flow. One of the men, Karl, goes home on leave only to discover the degradation forced on his family by wartime poverty. He returns to the lines in time to face an enormous attack by French tanks.
The Last Witness
6.9/10
Director Wolfgang Staudte who left East Germany in 1953 to make movies in West Germany, takes a few swipes at the West German judicial system in this fairly effective courtroom drama about the murder of a four-month-old baby. Police almost immediately arrest the mother Ingrid who is the mistress of the father, a rich business VIP married to another woman. His position and wealth keep him insulated from suspicion. A hot-shot lawyer has to overcome the unaccountably biased perceptions of the police, the judge, the prosecutor and almost everyone else in the judicial system. The defence lawyer, driven to an extreme, knows he has to find the real killer or his client will be convicted.
Girls in Gingham
6.7/10
A moving saga focusing on the women in a family that spans three generations and almost 70 years of German history, from the Wilhelmine period through the end of WWII. This film shows that it takes a combination of hard work, political consciousness and family work in tandem to face the tragedies of war, economic hardship and death.
Variation
6.6/10
The emotional story of an adulterous relationship between a journalist and a teacher.
1 Berlin-Harlem
6.6/10
A in West-Berlin stationed African-American GI retires from the US Army to live with his (white) girlfriend, who has a baby with another Black man. After a row with her family she deserts him as well. Despite him finding a job and a new place to live, he keeps running into racism, that also manifests itself in sexual intimidation. (from: http://www.lotharlambert.com/1-berlin-harlem.html)
The Beaver Coat
7.6/10
Mother Wolffen, a washerwoman, is a woman of principle: A poor man must do what he must to get through life, only he mustn't get caught doing it. All sorts of crooked deals contribute to the improvement of the daily menu and the increase of household funds. When everyone is searching for pensioner Krueger's missing beaverskin coat, Mother Wolffen and her family are calmly enjoying fresh roast venison.
F.P.1 Doesn't Answer
6.1/10
F.P.1 is a huge airplane landing dock in the Atlantic where pilots making the transatlantic flight can stop. Yet a saboteur tries to sink the technical wonder in this classic German science fiction film from 1932. The film was also created with English and French speaking actors at the same time.
Semmelweis – Retter der Mütter
6.4/10
Final Accord
6.7/10
A young, impoverished German woman named Hanna gives her infant up for adoption and emigrates to American to live with her husband. When her husband commits suicide, Hanna returns to Germany and works her way into becoming the live-in maid and nurse to her child being raised by an orchestra conductor and his wife.
Mother Krause's Journey to Happiness
7.4/10
Mutter Krause, her daughter Erna and her son Paul live in a tenement in the poorer section of Berlin's Wedding district. Along with them lives "the Tenant", his soon-to-be bride Friede, who works as a prostitute, and her child whose name isn't revealed in the film. Mutter Krause is a quiet, long-suffering old woman who earns what little she can delivering newspapers. However, Paul is an alcoholic and spends all her money on drink. Mutter Krause can't pay back the money she owes the man whose newspapers she delivered and he accuses her of stealing and threatens her with arrest. Mutter Krause must then pawn her last valuable possession, a treasured memento of her late husband. Paul then breaks into the same pawn shop. He gets away but is later arrested. Meanwhile, Erna begins dating a young man with Communist views, who turns Erna to Communism and also helps her earn the money her mother needs by more honest means.
