The best Hoda Soltan’s movies
If you love cinema, you will share this ranking of the best Hoda Soltan’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Hoda Soltan.
The Return of the Prodigal Son
7.1/10
In this Andre Gide adaptation, an activist is released after many years in prison and returns home, shaking up established relationships among his family members at the farm governed by his strict father. Demonstrating Chahine’s eclecticism, this is an elegant melodrama, exuberant musical, layered allegory, and profound portrait of personal and political disillusionment.
For Who's Your Passion
6.5/10
Nadia suffers from the behavior of her sister Nawal, to seek Dr. Adel and ask him for advice, to generate love between them, one day a young man who tried to commit suicide arrives because he is paralyzed, Nadia succeeds in getting him out of despair and succeeds in his treatment, to begin A love story between him and her sister Nawal, and events escalate.
Al Sokkareyah
5.7/10
The film revolves around the family of Mr. Ahmed Abdel-Gawad through his second and third generations, which consists of Yassin and Kamal the younger son, and the sons of Aisha / Khadija, in the age of young people and political and social transformations and their impact on their maturity and life paths.
Alexandria, Again and Forever
6.5/10
Set in 1987 against the backdrop of a hunger strike by the Egyptian film industry, Chahine himself steps in to play Yehia, the famed Egyptian director whose life is chronicled in "Alexandria, Why?" and "An Egyptian Story". Obsessed with Amr, the handsome actor he discovered and cast as his alter-ego in parts one and two of The Alexandria Trilogy, Yehia pressures Amr to star in various film projects that change even as Yehia's perception of the young actor begins to change. He first casts Amr as Hamlet, which the actor deems too demanding for his talents, then as the lead in a musical biopic of demigod Alexander the Great, who founded the city of Alexandria in 332 B.C.
Husainiyya Thugs
6.3/10
Directed by Niazi Mostafa.
Al-cirk
5.5/10
directed by atef salem
Port Said
7.1/10
Directed by Ezzel Dine Zulficar.
Sabreen
Sabrine's mother is sick, and her aunt visits them to check on the health of her sister. At the Police College, after being attracted to Sabrine and promised to marry, but the aunt is determined to marry her son Idiot Mohammed to ensure service to the whole family.
Abo El-Dahab
After Abu El-Dahab and Ihsan get married and have a baby, a jealous Al-Atra gets his friend Amina to impersonate Ihsan and reports Abu El-Dahab to the police. As Abu El-Dahab plots to escape from prison, he plans to take revenge on Al-Atra.
The Thug
7.3/10
Abu Zeid is a strong personality, emotions do not interfere with his life and decisions. He soon discovers Haridi is plotting his murder on the eve of his wedding night.
Dilapidated Woman
5/10
A hooker decides to repent after she gets married and gives birth, but when she discovers that her husband is an addict, she convinces two of her friends to steal some jewelry, but things do not go well after the apartment owner and her child were killed during the robbery. Making her accused of a crime she didn't commit.
The Honored Family
Sett Abuha is a young lady who lives in a local neighborhood and marries Salah. Growing dissatisfied with her lot in life, she leaves for Istanbul where she meets a wealthy man who turns her into a fine lady. Can she run away from her husband?
The Lady from Cairo
5.4/10
In 1990, Moumen Smihi briefly re-located to Cairo in order to work in the shadow of one of the world’s largest commercial film industries. The film that resulted from his Cairo sojuourn is a complex, painterly critique of the Egyptian musical and cinema star system. At the same time, the film shows the divergent states of possibility or despair faced by men and women within a changing Egyptian society. Smihi’s film plays out over thirty years and the events of the Nasserite years and the Palestine / Israel conflict become integral to the narrative. By blending newsreel footage with his own lush cinematography, Smihi creates a complex portrait of contemporary Egyptian society in the post-war years.
Women Without Men
5.9/10
End of the Road
As Sharbat marries her sweetheart, she comes to realize that their ambitions and plans for the future do not align. She gets a divorce and falls in love with a rich student, only to marry his father. When the jealous student kills his father, Sharbat inherits her husband's entire fortune.
Katia tarik
8.2/10
Wahid has a friend who works in the drug trade named Abu Al-Ezz. Abu Al-Ezz undertakes a single training in gambling until he loses all of his wealth. After that, he offers him to return his wealth to participate in drug smuggling activities, the police lie in wait for them, except that Wahid causes the killing of his cousin the officer Celal.
Three Women
4.7/10
Three different stories about three women. Three women, the first (Hana), who loves (Adel), but she meets (Sami) to also fall in love with him, the second widow (Tawahida), who loves (Yusef) the employee of the Muslim Council, but he is married, and the third (Shams), the singer who falls in love with Fathi But he lives at a loss because of her sitting with clients, what happens to the three women
