The best Yousra’s movies
Today we present the best Yousra’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Yousra’s movies.
A Cultural Film
7.3/10
To watch a pornographic film in Egypt, you need four things: the videotape; a VCR; a television; and a place to watch it. Three horny Egyptian 20-somethings try to pull these elements together in a day-long 'mission-impossible' to watch what is euphemistically called "thaqafi" (cultural) -- a codeword for porn meant to keep parents, friends and colleagues out of the loop (and those in the know in).
Femme
6.2/10
A documentary featuring interviews with 100 influential women from around the world.
Omar Sharif: Citizen of the World
6.7/10
Several high-budget epic films became Omar Sharif (1932-2015) a film star. He was an actor, but also a bridge player, a womanizer, a bon vivant; he was a man full of contradictions, who enjoyed card games more than movies; he was an eternal nomad who spent half his life in a hotel.
Sons of Rizk 2
7.1/10
The Yacoubian Building
7.5/10
Cairo: a 70-year-old building of once-luxury flats with tenements on the roof. Zika, an aging libertine, feuds with his sister. Pius Haj Azzam takes a second wife, in secret, to satisfy sexual drive within religious bounds. Bothayna, poor and beautiful, supports her family, wanting to do so with dignity intact. Her former fiancé, Taha, the janitor's son, humiliated by the police, turns to fundamentalism. Hatem, a gay editor, seduces and corrupts a young man from the sticks. Two brothers, Copts, one a tailor and one Zika's factotum, connive for property. Allah is on most everyone's lips, and corruption is in their hearts.
Alexandria, Again and Forever
6.5/10
Set in 1987 against the backdrop of a hunger strike by the Egyptian film industry, Chahine himself steps in to play Yehia, the famed Egyptian director whose life is chronicled in "Alexandria, Why?" and "An Egyptian Story". Obsessed with Amr, the handsome actor he discovered and cast as his alter-ego in parts one and two of The Alexandria Trilogy, Yehia pressures Amr to star in various film projects that change even as Yehia's perception of the young actor begins to change. He first casts Amr as Hamlet, which the actor deems too demanding for his talents, then as the lead in a musical biopic of demigod Alexander the Great, who founded the city of Alexandria in 332 B.C.
Terrorism and Kebab
7.7/10
Ahmad heads to Tahrir compound to extract papers to move his son to another school. There he clashes with the administrative obstacles. He finds himself suddenly involved in carrying a weapon, and taking hostages and is joined by others and soon the police forces surrounds the place.
The Emigrant
6.5/10
The biblical tale of Joseph is told from an Egyptian perspective in this interesting character study. In this film, Joseph is called Ram. Ram, tired of his family's backward superstitious life, and tired of being picked on by his brothers, wants to go to Egypt to study agriculture. His brothers travel with him across Sinai, but then suddenly sell him to Ozir, an Egyptian who works for a Theban military leader, Amihar. Amihar is impressed by Ram's drive and personal charm and so grants Ram some desolate land outside the capital. Ram soon finds himself a pawn in the political and sexual games between Amihar and his wife Simihit, a high priestess of the Cult of Amun.
The Enshrined Saint
6.1/10
When a young businessman goes through a crisis, he finds that his only hope is a holy woman who starts to help him.
The Lawyer
7.1/10
After getting sentenced with one month in prison for contempt of court, the lawyer Sbankh tries to take advantage of his jail time to establish many relations, most notably with drug dealer Hassouna,and Salim Abu Zaid, one of the centers of power in the 60s.
An Egyptian Story
7.3/10
Acclaimed actor Nour El Cherif here plays Egyptian filmmaker Yehia Mourad some thirty years after we last see him in "Alexandria, Why?" Though successful in his work, Yehia has grown distant from his wife and children and suffers a symbolic blockage of the heart while shooting the final scenes of his latest film. After being flown to England for evaluation, it's determined that Yehia must undergo emergency surgery. Fact and fiction blend seamlessly—with healthy doses of cleverly absurdist fantasy—as the film explores the various personalities and forces that have made Yehia (and Youssef Chahine) the man he has become.
Smart But Ediots
5.8/10
University students Zaghloul and Hassouna disguise themselves in women's clothes so that Hamdi agrees to rent a room for them in the villa, which he only leases to the girls.He hides behind his malicious purpose, which is to hunt beautiful girls.The two friends recognize the inmates of the villa Baisa, Najwa, and Nahed. Love connects Baisa and Hamdi, and Najwa Zaghloul and Nahed marvel at the understanding of their colleagues at the university. Everyone discovers the truth Zaghloul and Hassouna.
18 Days
7.4/10
10 Film makers made 10 Separate stories about the "25January " revolution in Egypt and the Egyptian people in the revolution and the protests against the previous President Hosni Mubarak and the departure of President Hosni Mubarak and also displays what happened in Tahrir Square since the start of the sit-in
His Excellency the Minister
7.2/10
Ra'fat Rostom becomes a minister by mistake, since then he gets more and more powerfull everyday, and that's when he starts having hilarious and weird nightmares about his corruption and his family.
Game Over
3.1/10
Eish El Ghurab
4.2/10
Mustafa, one of President Saddat's guards at the time of his assassination suffers depression for his sense of guilt and addicted to wine, abandoned by his wife and daughter. She marries a businessman who is involved in suspicious acts that leads to the abduction of her daughter and resorts to Mustafa to save their daughter.
At the Minister's Door
6.3/10
The film captures the image of an emotional relationship between Kamal a medical student who comes from a rather poor class, and his colleague Nora, the daughter of a rich butcher who rejects the relationship altogether.
Bobbos
4.2/10
A businessman, stuck in the credit crunch, falls in love with a businesswoman who is in turn stuck in the credit crunch.
Revenge
Nada, the wife of Ahmed, a hero of the October war, was kidnapped and raped after she and her husband left the cinema. The husband could not read the full number of the car, but he was able to determine its type, color and body. They will not be punished with the punishment they deserve, and decides to get them before the police to avenge them by killing them all, coincides with the specifications of the gang with a drug trafficking ring, killing two of them before the police arrest the real gang, and then arrested while trying to kill the third, In the opinion of the violinist Real people get surprised, but he did not regret those who killed them, because they are also criminals.
The Lady from Cairo
5.4/10
In 1990, Moumen Smihi briefly re-located to Cairo in order to work in the shadow of one of the world’s largest commercial film industries. The film that resulted from his Cairo sojuourn is a complex, painterly critique of the Egyptian musical and cinema star system. At the same time, the film shows the divergent states of possibility or despair faced by men and women within a changing Egyptian society. Smihi’s film plays out over thirty years and the events of the Nasserite years and the Palestine / Israel conflict become integral to the narrative. By blending newsreel footage with his own lush cinematography, Smihi creates a complex portrait of contemporary Egyptian society in the post-war years.
