The best Henry Jayasena’s movies
We present our ranking of the best Henry Jayasena’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Henry Jayasena.
Ghosts Can't Do It
2.1/10
Elderly Scott kills himself after a heart attack wrecks his body, but then comes back as a ghost and convinces his loving young hot wife Kate to pick and kill a young man in order for Scott to possess his body and be with her again.
Village in the Jungle
7.1/10
Baddegama or, more correctly, Beddegama is a 1980 award winning Sinhalese language film directed by Lester James Peries that follows the lives of village people in British Colonial Sri Lanka. The film is based on the 1913 book titled as "The Village in the Jungle" by Leonard Woolf.
Hansa Vilak
7.9/10
A married man (Nissanka) and woman (Miranda) find their lives disrupted after their affair is exposed by the police. Leaving their respective families, the two decide to live together. Shortly afterwards, Miranda secretly goes back to see her former husband. As paranoia mounts, Nissanka disintegrates psychologically to point where reality and fantasy are blurred.
Little Angel
7.4/10
Punchi Suranganavi (Little Angel) is a 2002 Sri Lankan Sinhala children's film directed by Somaratne Dissanayake and produced by Renuka Balasooriya. It stars two child artists Tharaka Hettiarachchi and Nithyavani Kandasami in lead roles along with Sriyantha Mendis and Dilani Abeywardana.
Maruwa Samaga Wase - මරුවා සමඟ වාසේ
4.9/10
Based on the character of the infamous bandit Marusira, Maruwa Samaga Wase is another movie that was directed by Titus Thotawatte. Marusira A.K.A Siripala is a criminal who escaped death three times but was finally put to rest, which actually caused a huge controversy in society.
Changes in the Village
6.8/10
Piyal is a handsome young teacher who is hired to teach English to Nanda, a member of a high class family. They fall in love, but can't elope because Piyal is of a lower class. Nanda's parents instead push her into a marriage with Jinadasa, who is of the same class as them. With economic downturn in Sri Lanka, both families lose their status and Jinadasa leaves to try to make a better life for himself; he never achieves his goal and dies penniless. Piyal and Nanda can now finally come together. They have changed however, and the earlier idylic nature of their relationship is not recaptured.
