The best Gamini Fonseka’s movies

Gamini Fonseka

Gamini Fonseka

21/03/1936- 30/09/2004
If you love cinema, you will share this ranking of the best Gamini Fonseka’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Gamini Fonseka.

The Kite

The Kite
  • Genre: Drama
  • Release: 02/03/1979
  • Character: Nadaraja
The film deals with the inter-ethnic, communal violence between Sinhalese and Tamils. It demonstrates the ambivalence of the Sinhala socio-political establishment towards the Tamil people.

Sandesaya

Sandesaya
6.7/10
Sandesaya (Sinhalese language word meaning The Message) is a 1960 film. The film based on the war between the Sinhalese people and the Portuguese invaders in Sri Lanka. It was directed by Sri Lankan film director Lester James Peries. It was produced by K. Gunaratnam on behalf of the Cinemas Company on the request of Raj Kapoor.

Welikathara

Welikathara
8.1/10
  • Genre: DramaThriller
  • Release: 27/10/1971
  • Character: Wickrema 'Wicky' Randeniya ASP
An intense, cat-and-mouse drama between newly appointed ASP Randeniya and a local thug (Goring Mudalali). Randeniya's life gradually falls apart as he wages war against Goring Mudalali's crime syndicate, erupting in a shocking climax.

Chanchala Rekha

Chanchala Rekha
8.1/10
  • Genre: Drama
  • Release: 18/12/1981
  • Character: Sirisena
Chanchala Reka is a Sri Lankan sinhala film released in 1981.

Changes in the Village

Changes in the Village
6.8/10
  • Genre: Drama
  • Release: 21/07/1963
  • Character: Jinadasa
Piyal is a handsome young teacher who is hired to teach English to Nanda, a member of a high class family. They fall in love, but can't elope because Piyal is of a lower class. Nanda's parents instead push her into a marriage with Jinadasa, who is of the same class as them. With economic downturn in Sri Lanka, both families lose their status and Jinadasa leaves to try to make a better life for himself; he never achieves his goal and dies penniless. Piyal and Nanda can now finally come together. They have changed however, and the earlier idylic nature of their relationship is not recaptured.

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