The best Hans Adalbert Schlettow’s movies
Today we present the best Hans Adalbert Schlettow’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Hans Adalbert Schlettow’s movies.
Dr. Mabuse, the Gambler
7.8/10
Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange. Afterwards, Mabuse disguises himself and attends the Folies Bergères show, where Cara Carozza, the main attraction of the show, passes him information on Mabuse's next intended victim, the young millionaire Edgar Hull. Mabuse then uses psychic manipulation to lure Hull into a card game where he loses heavily. When Police Commissioner von Wenk begins an investigation of this mysterious crime spree, he has little to go on, and he needs to find someone who can help him.
Die Nibelungen: Siegfried
8.1/10
Siegfried, son of King Siegmund of Xanten, travels to Worms, capital of the Burgundian kingdom, to ask King Gunther for the hand of his sister, the beautiful Kriemhild.
Die Nibelungen: Kriemhild's Revenge
7.9/10
When Kriemhild, thirsty for revenge, marries to Etzel, king of the Huns, she invites King Gunther and his court to visit them, intending to finally take the life of the man responsible of her disgrace.
The Rothschilds
6/10
Nazi biography of the Rothschilds, a Jewish family whose members rose to the top of the European banking community during the Napoleonic era.
Asphalt
7.4/10
One of the last great German Expressionist films of the silent era, Joe May’s Asphalt is a love story set in the traffic-strewn Berlin of the late 1920s. Starring the delectable Betty Amann in her most famous leading role, Asphalt is a luxuriously produced Ufa classic where tragic liaisons and fatal encounters are shaped alongside the constant roar of traffic.
Der Schlemihl
Die Geierwally
6.5/10
In the mountains of the Ötztal, the wealthy Fender (Eduard Köck) and Wally (Heath Hatheyer), his only daughter and heir, manage a small farm. He wants to marry the rich, but boring, Vincent (Leopold Esterle). Wally escapes to a mountain hut, where she lives alone and withdrawn. Her love belongs to the hunter, Joseph (Sepp Rist). When she unwisely takes a young vulture from its nest and is attacked by the mother, Joseph comes to her aid and from that point on, she fondly calls him her "Geierwally". He also feels attracted to her, but Wally can't escape the feeling, that the young Afra is his mistress. Mad with jealousy, Wally announces that she'll marry the one who kills Josef. Vincent wants to earn her hand and is determined to kill the Geierwally. Just in time, though, the actual relationship between Joseph and Afra is clarified.
Isn't Life Wonderful
6.8/10
A family from Poland has been left homeless in the wake of World War I. They move to Germany and struggle to survive the conditions there, during the Great Inflation. Inga (Carol Dempster) is a Polish war orphan who has only accumulated a small amount of money from the rubble and hopes to marry Paul (Neil Hamilton). Weakened by poison gas, Paul begins to invest in Inga's future and he serves as their symbol of optimism.
Liebesleute
7.4/10
Baron von Goret is an impoverished landowner, whose estate is about to go into receivership. And so, for that reason, he wishes to marry off his son Hermann with his well-off girlfriend Helga. But Hermann is in love with the farmer’s daughter Dorothea. He leaves his father’s estate with her and makes his way to Berlin to make a name for himself. He’s not successful in this and, so as not to stand in his way, Dorothea leaves him. Hermann’s aunt brings him back to his father’s estate, where, depressed over losing Dorothea, works tirelessly to clear the estate of all its debts.
Scheidungsreise
Prisoner Number Seven
6.7/10
The survived print of the film is incomplete. This exciting, modern crime story focuses on a young woman, a prisoner who was dressed to steal by her lover, and therefore she was in jail. She would like to see her sweetheart. One night she succeeds in persuading the doctor of the prison who also is a woman, to be released. She finds the man, a waiter in an elegant hotel, behaving as a cynical Don Juan, he was preparing to rob the safe of the hotel and go away with his new lover, a dancer. This dancer suffers a fatal accident.
A Cottage on Dartmoor
7.6/10
A jealous barber's assistant becomes enraged by the attentions the manicurist he's obsessed with and a repeat customer pay to one another.
Familie Schimek
6.4/10
For three difficult orphans living by her aunt the former employee of the family searches a new premouth; he releases with it a result of tumultuous involvements. - Humble-entertaining mistake farce, completely fitted on Hans Moser.
Die Kreuzlschreiber
6.7/10
Brennende Grenze
The story of Brennende Grenze (= Burning Border) starts after the end of WWI. Polish franctireurs invade the German bordering regions which are to be given to Poland as agreed on in the post-war peace treaties. Luise von Willkühnen's manor is invaded by Ladislaus von Zeremski, his lover Nadja and their gang. They treaten the inhabitants until Luise's son kills Zeremski.
Algol: Tragedy of Power
6.3/10
An alien from the planet Algol gives a man a device that gives him superpowers.
A Certain Mr. Gran
6.4/10
Witching Hour
5.5/10
The noble family de la Porte lives at castle Medan. After the lost heir August returns unexpectedly, countess Herm, mother-in-law of younger brother Johann, fears for the inheritance of her daughter. Together they antagonize the brothers. During a brawl, Johann gets shot by accident. August leaves his home for good, but beforehand he hides his papers of identity in the castle. Johann’s oldest son is the next rightful heir, but due to his excessive deformity he is locked away to make room for his younger brother Gert. Years later, the dying August confesses to his daughter Agga their true identity. She travels to castle Medan to find the hidden papers and take possession of her legacy. On her arrival the countess instructs her nephew Gert to court Agga for the protection of the estate. However, she falls in love with neighbour Magnus and rejects Gert. Hence countess Herm and her nephew forge a plan to set Gert’s brother, who is kept at the castle like an animal, on the uninvited guest.
Das Donkosakenlied
Die Siebzehnjährigen
