The best Guglielmo Barnabò’s romance movies

Guglielmo Barnabò

Guglielmo Barnabò

09/05/1888- 31/05/1954
If you love cinema, you will share this ranking of the best Guglielmo Barnabò’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Guglielmo Barnabò.

Bread, Love and Dreams

Bread, Love and Dreams
6.9/10
Marshal Antonio Carotenuto is sent to a remote Italian mountain village named Sagliena. He's anxious to marry, and selects young Gina Lollobrigida as his bride; but she is already in love with his shy subordinate Roberto Risso. Mistaking her headstrong behavior as promiscuity, Carotenuto makes advances towards her, but she spurns him. Forsaking the girl to the arms of Risso, the Marshal decides to settle for village midwife Marisa Merlini. Things become more complicated when Annarella, the midwife, starts demonstrating her love to Antonio. She is hiding a secret and the Marshal soon will be in a difficult situation.

Maddalena... zero in condotta

Maddalena... zero in condotta
6.4/10
  • Genre: ComedyRomance
  • Release: 18/12/1940
  • Character: Padre di Maddalena
A young woman teaches commercial writing and makes her students practice by writing letters addressed to an imaginary recipient from Vienna. One day, the love letter the woman writes to this non-existent man is accidentally sent by one of her students –and falls into the hands of a real person.

Verginità

Verginità
5.7/10
  • Genre: DramaRomance
  • Release: 04/09/1951
  • Character: Impresario

The Dream of Butterfly

The Dream of Butterfly
6.2/10
Italian filmmaker Carmine Gallone was still in his "operetta" mode when he helmed 1938's Il Sogno di Butterfly (Dream of the Butterfly) Maria Cebotari plays opera diva Rosa Belloni, currently starring in a production of Puccini's Madama Butterfly. The plot thickens when Rosa's backstage life begins to mirror the travails of the character she is portraying. The climax comes when Harry Peters (Fosco Giachetti), the American father of Rosa's illegitimate child, returns after four years with his new wife in tow, leading inexorably to a doleful ending both on- and offstage. Critics complained about the substandard photography in Il Sogno di Butterfly, but this might have been due to poor laboratory work.

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