The best Götz George’s comedy movies

A social satire in which a chauffeur accidentally becomes the editor of an online newspaper.

The young, despotic and untalented artist Adolf Hitler comes to Vienna to study art. He befriends the Jew Schlomo Herzl working on a novel with the title "Mein Kampf". Hitler is rejected by the Vienna Academy of Fine Arts. Herzl's concern for the sad young man continues, and leads him to a new career with disastrous consequences for world history.

Schtonk! is a farce of the actual events of 1983, when Germany's Stern magazine published, with great fanfare, 60 volumes of the alleged diaries of Adolf Hitler – which two weeks later turned out to be entirely fake. Fritz Knobel (based on real-life forger Konrad Kujau) supports himself by faking and selling Nazi memorabilia. When Knobel writes and sells a volume of Hitler's (nonexistent) diaries, he thinks it's just another job. When sleazy journalist Hermann Willié learns of the diaries, however, he quickly realizes their potential value... and Knobel is quickly in over his head. As the pressure builds and Knobel is forced to deliver more and more volumes of the fake diaries, he finds himself acting increasingly like the man whose life he is rewriting. The film is a romping and hilarious satire, poking fun not only at the events and characters involved in the hoax (who are only thinly disguised in the film), but at the discomfort Germany has with its difficult past.

Aunty Agatha has passed away at a healthy ninety years. She had known all along, that her family wanted nothing more than to get their hands on her riches. That's why she devised a cunning plan before leaving her kin - in a state discord: She hires former journalist Vincent to give her eulogy. Vincent's ex-wife Victoria, who runs an exclusive florist's shop branded "Leaf and Blossom" is to provide the floral arrangements for her funeral. Of course aunt Agatha didn't tell either half of the former couple, whose marriage didn't end too harmoniously either, that their ex was involved. When the will is read Agatha's family doesn't take it well that Victoria and Vincent are also bequested and it doesn't help that the total value of the legacy seems to be much lower than they hoped for. But aunty is sending her avaricious offsprings onto a deviously plotted scavenger hunt that's leading them to the real fortune. Victoria and Vincent of course are given the crucial clues to take the lead.

Franziska Naumann happily greets her allegedly new neighbor Dr. Gottfried Naumann. She is very surprised when he wants to move into the same apartment in which just the movers carry their furniture. Even Gottfried is surprised - Franziska has not only the same name as he, but apparently also rented the same apartment. Without compromising, the quarreled estate agents Beate and Werner Wüstholtz has rented the apartment twice. There is only one solution: until the circumstances are clarified, the unequal couple must live together in the apartment. The fight burns.

Edward Kaminsky, an aging ad man, wants a golden parachute from his agency; he must first land the Opel auto contract. Rosa, a youth with wealthy parents, wants to establish herself as an artist. The clumsy and enthusiastic Viktor, not quite honest, wants work. When he wanders into Kaminsky's meeting with Opel and says something about irony, the Opel director wants him in on the campaign. Then he steals an idea from Rosa that the Opel director loves. Before Rosa discovers he's expropriated her idea, Rosa and Viktor become lovers. Father-son feelings materialize between Kaminsky and Viktor. Can the impulsive Viktor hold it together before Rosa learns the truth and flies away?