The best Carola Regnier’s movies
Today we present the best Carola Regnier’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Carola Regnier’s movies.
Rosenstrasse
6.7/10
When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?
Walk on Water
7.3/10
Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.
Rossini
6.4/10
Zigeuner is on the hunt for the woman of his dreams, a woman who should also play the main role in the film. Meanwhile, ruthless producer Oskar Reiter wants to buy the film rights at all costs - and he is struggling for the love of the beautiful Valerie.
Schiller
6.3/10
A Woman in Flames
5.9/10
Eva, an upper-class housewife, frustratedly leaves her arrogant husband and decides to enter the call girl business. She lets Yvonne, a prostitute, teach her the basics and both set out for prey together, until Eva starts an affair with Chris, who turns out to be a call boy, as well. Consequently, she moves into his penthouse, large enough for both to offer their services separately.
Fabian
5.6/10
Fabian is a 1980 West German film directed by Wolf Gremm. It is based on the novel Fabian, the Story of a Moralist (1931) by German author Erich Kästner. The film was chosen as West Germany's official submission to the 53rd Academy Awards for Best Foreign Language Film receive a nomination.
A Man Like Eva
5.9/10
A bearded director named EVA, a fictive Rainer Werner Fassbinder, lives in a large house with his cast and crew as he films Dumas' Lady of the Camellias. His accountant informs him he has many unpaid bills and little cash on hand. EVA throws a fit and fires him. He then proceeds to play one person off against another, dismiss with cruelty his recent lover Ali, sleep openly with his leading lady Gudrun, and make a direct and public play for his leading man, Walter. He's mercurial, dictatorial, and manic. Will he finish the film, having drawn great performances from his actors through his manipulations, or will his antics set events in motion that spin out of his control?
Die letzte Schlacht
7.3/10
Paradise Hotel
5.7/10
A diverse group of guests gather in a small hotel in Paris to contemplate the state of their lives in this pretentious drama. Joseph Goldman (Fernando Rey) is a washed-up Hollywood actor making a living in the dinner-theater circuit. Accompanied by his wife Sarah (Carole Regnier), Goldman meets Frederique (Berangere Bonvoisin), who is hiding from her former lover. French financier Arthur (Fabrice Luchini) hopes to get into the film industry and bends the ear of a British director (Michael Medwin). The talkative film has little action, and none of the characters evoke much interest or resolve their dilemma.
Der Mann auf der Bettkante
5.2/10
Das Zimmermädchen und der Millionär
6.3/10
Day of the Idiots
6.2/10
A woman experiences psychic disintegration and ends up in a psychiatric hospital.
The Fisherman and His Wife
6.2/10
A shared love of fish leads to a variety of romantic predicaments in this offbeat comedy from writer and director Doris Dörrie. Otto (Christian Ulmen) and Leo (Simon Verhoeven) are two men from Germany who have launched a successful business in which they import koi, the beautiful Japanese fish, for collectors in their native land. While on a business trip to Japan, Otto and Leo meet Ida (Alexandra Maria Lara), a German tourist who is studying fashion design. Ida begins traveling with the two men, and surprisingly develops an infatuation with the rumpled Otto instead of the handsome Leo. When Ida discovers she's pregnant with Otto's child, the two marry, and upon their return to Germany, Ida attempts to join in the business by creating a line of scarves decorated with koi patterns. However, the honeymoon proves short-lived, and Ida's presence creates a rift between Otto and Leo, as the latter sets up his own concern, raising koi with his new bride, Yoko (Young-Shin Kim).
Three Chinamen with a Double Bass
6.6/10
Seduction: The Cruel Woman
5.1/10
Wanda is a dominatrix who runs a gallery in a building on the Hamburg waterfront, where audiences pay for the privilege of watching her humiliate her slaves. She is a business woman who smashes sexual stereotypes and social taboos with icy self-possession and an enigmatic smile. As artist she specializes in the staging of elaborate BDSM fantasies and her affairs transgress the usual boundaries of personal and professional life. Along the way she leaves her German lesbian lover, a shoe fetishist, for an American "trainee," and does more than step on the toes of the male performer who has broken the rules of the master-slave relationship by falling in love with her.
Central Bazaar
6.2/10
For this remarkable experimental film, the provocative avant-garde legend Stephen Dwoskin gathered together a group of strangers and filmed them as they explored their fantasies over a period of five days: a project that now sounds a little like TV's Big Brother. The ceremonial gowns and make-up here not only evoke the eroticism of European horror movies but also highlight the film's interplay between performance and intimacy. Jonas Mekas called it 'theatre of life'...
North Curve
6.2/10
Marie's Song
6.5/10
Marie is an adolescent woman who lives in Prussia in 1813 with her mother, a countess. They live in a palace watching the path of history from a far point of view.
Unser Reigen
4.4/10
Die fremde Frau
6.6/10
