The best Giulia Gam’s movies
Today we present the best Giulia Gam’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Giulia Gam’s movies.
Besame Mucho
6.3/10
The story of two couples - Xico and Olga, Tuca and Dina - through 20 years of friendship, from adolescent dreams to maturity frustrations. They meet in a small town in the State of São Paulo, but one of the couples decides to try their luck in the big city. As background, the political events in the 60's and 70's, and how they affect their lives.
Federal Bank Heist
5.9/10
"The Baron" wanted to commit the perfect heist involving 3 tons of money and no violence. For this he would need the right people willing to get 1 million dollars to take part in this job. Based on true events, in 2005, 168,000,000 Brazilian Real (almost 80,000,000 US dollars) were stolen from a Brazilian Central Bank (Federal Reserve), making it the biggest peace-time robbery in history. It was perhaps the most audacious bank heist ever.
Chico Xavier
7.1/10
A biography of spiritual medium and author Francisco Candido Xavier.
High Art
6.1/10
Peter Mandrake, a North-American photojournalist becomes embroiled in South America's dangerous underworld of pimps, drug gangs and arms smugglers when he sets out to find the killer of a local call girl.
Owner of the Story
6.5/10
A 50 year-old woman who analyses her past. She pictures herself when she was 20 years old and she re-creates the story of her life through a game of innumerous possibilities. What if she wouldn't have gone to that ball? What if... instead of meeting the man of her life, with whom she married and had kids, she would have called a girlfriend and they went to the theater? What would be her destiny? What would have happened? In the plot the present talks to the past. A young woman projects her future in a fascinating game between memories and desires.
Dry Movie
6.7/10
Weatherman from a TV network goes back to his hometown, Vale da Rocha, a place in Northeast Brazil, devastated by the drought. He is forced to face the geographic elements and his own memories.
Saturday
7.2/10
On a Saturday morning, an advertising crew arrives at a decadent old building downtown São Paulo to shoot a TV commercial. And then everything goes wrong, beginning with a broken elevator
O Alienista
7.2/10
Dona Flor and Her 2 Husbands
7.6/10
The 20 episode miniseries edited into a 141 minute TV film. The beautiful Flor marries Vadinho and soon finds out he's spending all their money on gambles and has mistresses all over the city. Vadinho suddenly dies while partying during Carnival, and Flor, left helpless and full of debts, ends up marrying Teodoro, who's the exact opposite of her late husband.
Miramar
6.5/10
Story with some autobiographical touches taken from director's life.
A Guerra dos Rocha
4.4/10
Clumsy old lady Dina Rocha lives with her son Marcelo. After a series of incidents at home, she moves to her house in Santa Teresa. She meets her friend Nonô and she pays a visit to her old friend. Her sons do not know where she is and they go to the hospitals and morgues. Coincidently there is the body of an old lady smashed by a truck and they believe that she is their mother. Meanwhile two smalltime thieves break in Nonô's house and keep the two old ladies locked in the bathroom. During the funeral of Dina Rocha, the dysfunctional families have a quarrel disputing their heritage.
Ferreira Gullar: Arqueologia do Poeta
Máquina do Desejo
7.9/10
In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.
Outras Estórias
6.1/10
Aperana Street 52
6.8/10
In his film Rua Aperana 52 Júlio Bressane describes the invention of a landscape, the topology of a corner of Rio de Janeiro. The film consists of a series of photographs taken between 1909 and 1955 by, among others, Bressane's parents at and around the address used as a title. These are interlarded with scenes from films made between 1957 and 2005, bringing the total fictional time the film covers to almost a century; one hundred years in which the winding road featured in almost every shot structures the new landscape behind the Aperana, which means 'wrong road'. Rua Aperana 52 is autobiographical, as it is a landscape from Bressane's youth, but it is also not so; it is more a multi-subjective mythology of a place seen through all those films and photographs. Bressane refers to his editing as an intuitive form of thinking aimed at evoking moods which make the viewer the new witness of the fictional landscape. A fiction about a fiction,
The Patriot
6.3/10
Policarpo is a chauvinistic patriot, a major who tries to find solutions for Brazilian problems using only the resources of his own country. His visionary and idealistic temperament is behind his strange ideas about how to build a great nation.
The Mandarin
7.1/10
The history of Brazilian popular music in the 20th Century, focusing specially on the life and works of intriguing singer Mário Reis, a loner who, with his special way of singing - whispering and softly saying the words - in a time when singers with potent voices ruled, was in a way a forerunner of Bossa Nova style.
The Price of Peace
7.6/10
In 1984, with a coup d'état, President Floriano Peixoto closed down The National Congress, soon reinstated with co-religionaries in key positions. In the south of Brazil, the Maragatos revolutionaries would not come to terms with this. They rebelled and marched to Rio de Janeiro to join Admiral Saldanha's troops and depose the President in an episode known today as the Federalist Revolution. The rebels fought bloody battles with Floriano soldiers during the march. Idelfonso Corrêa is a quiet, reserved citizen of humble origin who becomes the Baron of Serro Azul. His mature demeanor makes him a choice for mediator between both groups. Midst negotiations and difficulties to safeguard the family and his protegés, the Baron expands his domains, starts a newspaper, a bank, and exports herva-mate. With the battle over, his form of address, Baron, becomes synonymous with traitors.
O País dos Tenentes
7.1/10
With death getting near, a retired officer remembers the most important passages in his life and his participation in historical events in Brazil, such as the Lieutenants' Movement, and the 1964 coup.
