The best Gisela Uhlen’s movies
Today we present the best Gisela Uhlen’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Gisela Uhlen’s movies.
The Marriage of Maria Braun
7.7/10
Maria marries a young soldier in the last days of World War II, only for him to go missing in the war. She must rely on her beauty and ambition to navigate the difficult post-war years alone.
Toto the Hero
7.4/10
Thomas and Alfred were born around the same time; a fire in the nursery had nurses scrambling to save the newborns. Because he felt that he deserved Alfred's good fortune at being born into a wealthy family, Thomas conceives the idea that he and Alfred were switched at birth, and he can't help seeing that his unhappiness should be Alfred's, from the loss of his sister to his inability to have a relationship with the woman Evelyne. So, as his life is ending, he formulates a plan of revenge against his bitter enemy, his lifetime adversary, the man who stole his existence.
The Rothschilds
6/10
Nazi biography of the Rothschilds, a Jewish family whose members rose to the top of the European banking community during the Napoleonic era.
The Door with Seven Locks
6/10
A rich man bequeaths seven keys to seven of his friends, but only one will unlock the door to untold wealth.
Meister Eder und sein Pumuckl
7.5/10
No overview found.
Dr. med. Fabian - Lachen ist die beste Medizin
4.2/10
Uncle Kruger
6.4/10
Ohm Krüger (English: Uncle Krüger) is a 1941 German biographical film directed by Hans Steinhoff and starring Emil Jannings, Lucie Höflich and Werner Hinz. It was one of a series of propaganda films produced in Nazi Germany attacking the British. The film depicts the life of the South African politician Paul Kruger and his eventual defeat by the British during the Boer War. It was the first film to be awarded the 'Film of the Nation' award. It was re-released in 1944
Emma Hamilton
5.8/10
The Making of a Lady: The Story of Lady Hamilton is a 1968 historical drama film directed by Christian-Jaque and starring Michèle Mercier, Richard Johnson and John Mills.[1] It was based on the novel La San-Felice by Alexandre Dumas and depicts the love affair between Emma Hamilton and Horatio Nelson. It was a co-production between Italy, West Germany, France and the United States.
The Hunchback of Soho
5.8/10
A woman is kidnapped and her identity is stolen by criminals attempting to collect her inheritance.
The Indian Scarf
6.6/10
When a wealthy man dies, his avaricious relatives look forward to inheriting all his money. However, he leaves a provision in his will that they all must spend a week together in his castle before they will be able to inherit anything. At the castle (which is cut off from the outside world), the relatives soon begin to be killed off one by one, each strangled with an Indian scarf.
Emilia Galotti
5.3/10
Rembrandt
5.5/10
Already a famous painter, Rembrandt van Rijn is commissioned to paint the Amsterdam Archers' Guild. But upon completion of the picture, the men of the guild feel duped, because they don't consider themselves flatteringly depicted in the painting. They therefore decline to pay for the work. During this dispute, the painter finds out his wife is close to death. He finds himself terribly lonely after her passing and suffers from depression until he decides once more to marry.
Tanz auf dem Vulkan
6.5/10
Paris, 1830: Jean-Gaspard Debureau performs on the stage and delights his audience with song, wit and charm. He is, however, very unpopular with King Charles X, who is the target of much of Debureau's scornful jests. That would be a somewhat tolerable situation if it weren't for the fact that Debureau has fallen for a countess, who happens to be the King's mistress.
Women in New York
7/10
The main characters in this film are wives of rich men who have nothing to do because they have staff – like the cook, the maid, the hairdresser, the manicurist, the governess, the teacher, the tailor etc. – who work for them. Naturally, the wives themselves do not pursue careers, they depend on their husbands’ money. This is why most of their thoughts revolve around the husband. And because the husband only appears as “the” man, there is no man in this film. All women fight for the same man. Those who have one, want to keep him no matter what. And those who do not have one yet only have one goal: To take away somebody else’s husband.
Edgar Wallace - Die Katze von Kensington
4.5/10
Hotel der toten Gäste
5.5/10
Die Zaubergeige
Drei Männer im Schnee
5.8/10
Morgen werde ich verhaftet
Reifender Sommer
