The best Franco Interlenghi’s comedy movies
If you love cinema, you will share this ranking of the best Franco Interlenghi’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Franco Interlenghi.
Miranda
4.9/10
Miranda is a sensual tavern owner with a taste for men of all types. Over a year's time, Miranda copes with the death of her husband by enjoying the talents of a different lover for each of the four seasons. All the men are delightful, but which one is the best lover, and who will make a suitable husband?
Don Camillo
7.6/10
In a village of the Po valley where the earth is hard and life miserly, the priest and the communist mayor are always fighting to be the head of the community. If in secret, they admired and liked each other, politics still divided them as it is dividing the country. And when the mayor wants his "People's House"; the priest wants his "Garden City" for the poor. Division exist between the richest and the poorest, the pious and the atheists and even between lovers. But if the people are hard as the country, they are good in the bottom of there heart.
I Vitelloni
7.8/10
Five young men dream of success as they drift lazily through life in a small Italian village. Fausto, the group's leader, is a womanizer; Riccardo craves fame; Alberto is a hopeless dreamer; Moraldo fantasizes about life in the city; and Leopoldo is an aspiring playwright. As Fausto chases a string of women, to the horror of his pregnant wife, the other four blunder their way from one uneventful experience to the next.
The Night Before the Exams Today
5.2/10
Reunites the same cast, reprising their characters from the 2006 original film, but transplants them from the 1980s to the Italy of 2006. This leap allows the filmmaker to compare and contrast youth culture across generations, from the era of the call box to the era of cell phones, text messages and onli
Totò, Peppino e i fuorilegge
7.3/10
The Miser
6/10
Misery money-lender Arpagone is looking to arrange three weddings simultaneously - to cut down on costs. One for himself and the others for his two children. Of course he doesn't approve of the choices his son and daughter have made and conspires to arrange more well to do spouses against their will. However, fate will prove itself to be on the side of true love, not of the greedy.
The Wayward Wife
6.8/10
The ever-growing popularity of Gina Lollobrigida was a decided box-office asset when the Italian La Provinciale was distributed to the U.S. as The Wayward Wife. Lollobrigida acquits herself quite nicely in the tensely dramatic role of a much-put-upon small-town girl named Cemma. Seduced by a lad who turns out to be a relative, Cemma is tossed out of her home. Seeking security, she impulsively marries bookish science professor Franco Vagnuzzi (Gabriele Ferzetti). Bored by her marriage, Cemma doesn't realize the true value of her loving husband until it's almost too late. The original 118-minute run time was reduced for U.S. release.
Sunday in August
6.9/10
The plot weaves several episodes with several groups of people, Roman families, youth gangs and young love couples, who spend a Sunday at the beach of Ostia.
Paris Is Always Paris
6.1/10
A gentle cultural clash between a band of Italian sports fans and the citizenry of Paris. DeAngelis has heard so much about “naughty Paree” that he’s determined to experience that naughtiness first hand. Ultimately, he realises that reports of French libertinism have been grossly exaggerated, but he has a high old time finding this out.
Wild Love
6.6/10
Despite of (or perhaps because of ) its sparse production values and unpretentiousness, the Italian Gli Innamorati was feted at the 1956 Cannes Film Festival. The bulk of the story takes place in a single Roman neighborhood. In the manner of the 1925 German classic A Joyless Street, director Mauro Bolognini studies the hopes, dreams, successes and failures of the neighborhood's various and sundry denizens. No one subplot dominates the proceedings, though a bit of extra time is afforded the story of a fickle seamstress and her seemingly meek-and-mild boyfriend. The cast is dotted with such reassuringly familiar faces as Nino Manfredi and Gino Cervi. Released in the US as Wild Love, Gli Innamorati was instrumental in bringing international fame to director Bolognini, whose career soon shifted into high drive.
Canzoni di mezzo secolo
6.5/10
Cigarettes, Whiskey and Wild Women
5.2/10
Martine runs a sports center for women ,but they are short of the readies. To avoid seizure,she turns her health club into a nightclub with plenty of whiskey and wild women.
I giorni più belli
5.8/10
La cenicienta y Ernesto
