The best Antonella Lualdi’s movies
If you love cinema, you will share this ranking of the best Antonella Lualdi’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Antonella Lualdi.
Vincent, Francois, Paul and the Others
7.3/10
Three friends face mid-life crises. Paul is a writer who's blocked. François has lost his ideals and practices medicine for the money; his wife grows distant, even hostile. The charming Vincent, everyone's favorite, faces bankruptcy, his mistress leaves him, and his wife, from whom he's separated, wants a divorce. The strains on the men begin to show particularly in François and Paul's friendship and in Vincent's health. A younger man, Jack, becomes attractive to Lucie, François's wife. Another young friend, the boxer Jean, who's like a son to Vincent and whose girlfriend is pregnant, has taken a bout with a merciless slugger. Has happiness eluded this circle of friends?
The Swindlers
5.4/10
A day in a tribunal where the defendants are: the manager of a soccer team, charged with bribery, two Sicilians who have sold fake archaeological findings, two nuns who have offended a public servant and an industry manager.
Young Husbands
6.4/10
In a small Italian town, the local youngsters realize that their youth is coming to an end and marriage will soon follow. They gather together for one last time in an attempt to revive their younger days, but this comes to a dismal conclusion. Gradually it dawns on the group that childhood is over and the next stage in human growth must be faced.
Le Rouge et le Noir
6.7/10
It's no holds barred for Julian in pursuit of upward mobility. Although expected to channel career aspirations into the Church of the post-Napoleonic era, his intensely romantic liaisons propel him forward at a pace he cannot control.
Love Meetings
7.5/10
Microphone in hand, Pier Paolo Pasolini asks Italians to talk about sex, apparently their least favorite subject: he asks children if they know where do babies come from, asks old and young women about gender equality, and asks both genders if a woman's virginity still matters, how do they view homosexuals, if sex and honor are related, if divorce should be legal, if they support the recent abolition of brothels, etc. He interviews workers, intellectuals, students, rural farmers, the bourgeoisie, and other different people, painting a vivid portrait of Italy in the years of the Economic Boom, suspended between modernity and tradition.
Wild Love
6.6/10
Despite of (or perhaps because of ) its sparse production values and unpretentiousness, the Italian Gli Innamorati was feted at the 1956 Cannes Film Festival. The bulk of the story takes place in a single Roman neighborhood. In the manner of the 1925 German classic A Joyless Street, director Mauro Bolognini studies the hopes, dreams, successes and failures of the neighborhood's various and sundry denizens. No one subplot dominates the proceedings, though a bit of extra time is afforded the story of a fickle seamstress and her seemingly meek-and-mild boyfriend. The cast is dotted with such reassuringly familiar faces as Nino Manfredi and Gino Cervi. Released in the US as Wild Love, Gli Innamorati was instrumental in bringing international fame to director Bolognini, whose career soon shifted into high drive.
End of Desire
6.6/10
Normandy, second half of the nineteenth century. Jeanne Dandieu lives in a manor house with her parents and their servant Rosalie. She gets to know Julien, a handsome man, whom she soon marries. Her happiness is short-lived as she finds out that not only has Julien married her for her money but he cheats on her as well, with Rosalie to crown it all.
The Shortest Day
5.8/10
The Shortest Day is a 1962 Italian comedy film. It is a parody of the war movie The Longest Day and stars the popular duo Ciccio Ingrassia and Franco Franchi in the leading roles. Dozens of many other well-known actors accepted to appear in the movie in cameo roles for free, to avert the bankruptcy of the production company Titanus.
The Dolphins
7/10
An acid portrait of Italian youth at the time, I DELFINI follows a dreary season of discontent and viciousness in the lives of a thoroughly unpleasant group of mostly rich youngsters in a small Adriatic coast city.
The Overcoat
7.5/10
The classic Nicolas Gogal fable The Overcoat is given a European flavor by Italian filmmaker Alberto Lattuada; some consider the film to be Lattuada's best "psychological study." Comedian Renato Rascel plays a nebbishy nobody who spends his life-savings on a fancy overcoat. Suddenly, the nobody becomes a somebody, proving beyond doubt that clothes make the man. And then one day, the overcoat is stolen...Fleshing out the short-but-bittersweet Gogol original are several colorful new characters, including a publicity-hungry small-town mayor, played by Giulio Stival. The background music was composed by director Lattuada's wife Felice. American prints of Il Cappato are missing a so-called "naughty" telephone exchange between the mayor and his silken mistress.
The Mongols
5.3/10
Genghis Khan and his Mongol army invade Poland and lay siege to the city of Cracow. The Polish king tries to make peace in order to save his city, and Genghis Khan seems amenable to that. However, his son Ogotai is itching for war, and his mistress eggs him on to defy his father and take the city.
Let's Talk About Women
6.7/10
Vittorio Gassman stars as different characters in each of the nine episodes of this unusual Italian comedy. Playing everything from a practical joker to a prisoner, he comments upon romance, love and women in general.
The Sea Pirate
5.9/10
A young naval officer becomes a corsair to make enough money to marry a pretty girl, and fights injustice and snobbery to reach home safely.
Run with the Devil
7/10
Stefano is a talented painter, devoted to his art but not interested in promoting himself, while many of his fellow artists are far more adept at selling their persona than creating art.
Massacre in the Black Forest
5.4/10
In the first half of the first century A.D., the Teutonic tribes, led by Arminius The Terrible, rebel against the cruel and conquering Roman Empire. In raging torments and blood curdling battles, the barbarian tribes and Roman Legions fight a war of attrition, so brutal and terrible that Arminius becomes a legend throughout the empire. Only Augustus, Emperor of Rome is evil and treacherous enough to enslave the Teuton barbarian and halt his murderous uprisings.
Casta diva
6.6/10
As soon as he graduated from the Naples Conservatory, Vincenzo Bellini meets Maddalena Fumaroli and immediately falls in love with her.
Adorable Creatures
5.8/10
Andre Noblet, a 21-year-old French artist falls madly in love with Christine, the mother of two children. He tells Chistine he will tell all to her husband and demand her freedom. Christine learns that her husband has been carrying on a romance of his own and they have a meeting.
Mid-Century Loves
5.7/10
À double tour
6.6/10
The mistress of the wealthy Henri Marcoux is murdered and the family accuses the milkman of committing the crime. But Marcoux's daughter's fiancé suspects that she may have been murdered by someone else.
Perdonami!
5.6/10
