The best Franco Branciaroli’s movies

After twenty years of marriage, art professor Nino Rolfe attempts to break down his wife Teresa's conventional modesty. Noticing her affection for their daughter's fiancé, Nino instigates her sexual interest in him as well. This sets off a chain of unexpected events and emotional complications, as Nino and his unpredictable fascist daughter find that they both enjoy being jealous.

Diana is a Roman wife happily married to sympathetic Paolo but she is keen on playing benign games of seduction with other men while resisting the advances of chic lingerie shop owner Silvio. She narrates her adventures to Paolo in order to stimulate their otherwise monotonous sexual life. However, under the influence of her lesbian friend Antonietta and raunchy sister Nadia, Diana starts to move the ongoings further while Paolo is still prone to believing that events narrated by her are merely fantasies.

At a college in Rome, a professor, nicknamed "Dodo" is in a deep depression. His stunningly beautiful wife has just left him for another man. Dodo wants her back very badly and has erotic daydreams about her. A beautiful young student in his class asks him for a ride home and seduces the lucky man, but still he wonders about his wife and her lover.

March 1945 Asolo, Italy. Livia Mazzion, the attractive wife of a top ministry official, slips into the car of lawyer Ugo Oggiano, Livia's admirer and her husband's informer. Livia must reach Venice and her lover Helmut Schultz, a Wermacht lieutenant, as beautiful and accursed as a pagan god, with whom she is having a burning love affair. During the trip she relives the high points of her devastating sexual abandonment gone adrift, one that has shattered her life and her destiny, swallowing her up in the ruinous vortex of a sybaritic and bituminous Venice. The city, in the throes of the final months of the war, is rife with traffickers, officials, nabobs, military brass, sharks and adventurers of every kind. Yet a surprise awaits Livia upon her arrival in Venice, a surprise in which the heroes' own personal defeats interweave with those public, as historical and political events now seek to settle accounts.

Miranda is a sensual tavern owner with a taste for men of all types. Over a year's time, Miranda copes with the death of her husband by enjoying the talents of a different lover for each of the four seasons. All the men are delightful, but which one is the best lover, and who will make a suitable husband?

One of the most controversial, original and loved figures of Italian cinema. The most censored director of all time. An anarchist of the film, a gifted experimenter, an inventor of dreams. A truly great artist.

Black Journal (originally titled Gran Bollito) is a 1977 Italian drama film directed by Mauro Bolognini. It is based on the real life events of Leonarda Cianciulli, the Italian serial killer best known as the "Soap-Maker of Correggio".

The setting is a Central European kingdom, near the turn of the century. Bored by his very proper wife, the youthful heir to the throne spends his time in amorous dalliances at a sprawling country estate. His wife departs at the arrival of his friends, and they organize a celebration which becomes a wild orgy and culminates in death and tragedy.

Racial integration is Elena's profession and passion, not only filling her working day as a cultural mediator assisting immigrants, but spilling over into her home life as well. All too often her husband Carlo must attend charity events where he feels distinctly out of place. During one of these evenings, Carlo meets Nadine, a beautiful black woman.

Longtime Italian cinema star Stefania Sandrelli (The First Beautiful Thing) is Alba, the mother of two very different adult sons. While Giorgio is a playboy who constantly cheats on his wife, Leonardo (Luca Argentero, Eat Pray Love) is always unlucky in love. When Leonardo finally meets the woman of his dreams, Sara, he brings her home to meet the family, but it appears this is not the first time that Sara has met Giorgio. Directed by Luca Lucini and stars Luca Argentero, Alessandro Gassman and Stefania Sandrelli.

A hunted man breaks into the castle at Oberwald to kill the Queen, but faints before doing so. He is Sebastian, the splitting image of the King who was assassinated on his wedding day. The Queen discovers that Sebastian once wrote a subversive poem that she liked, even though it was attacking her. The Queen dares Sebastian to kill her, otherwise she vows to kill him.