The best Adriana Asti’s movies

The perversion behind imperial Rome, the epic story of Rome's mad Emporer. All the details of his cruel, bizarre reign are revealed right here: His unholy sexual passion for his sister, his marriage to Rome's most infamous prostitute, his fiendishly inventive means of disposing those who would oppose him, and more.

A newly arrived governor finds his province under the control of the corrupt Colonel Huerta. To avoid assassination by Huerta, he pretends to be weak and indecisive so Huerta will believe he poses no threat. But secretly he masquerades as Zorro, and joins the monk Francisco and the beautiful aristocrat Hortensia in their fight for justice against Huerta and his soldiers.

One of the most controversial, original and loved figures of Italian cinema. The most censored director of all time. An anarchist of the film, a gifted experimenter, an inventor of dreams. A truly great artist.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

When a widow’s family moves to the big city, two of her sons become romantic rivals with deadly results.

Historical evocation of Ludwig, king of Bavaria, from his crowning in 1864 until his death in 1886, as a romantic hero. Fan of Richard Wagner, betrayed by him, in love with his cousin Elisabeth of Austria, abandonned by her, tormented by his homosexuality, he will little by little slip towards madness. Filmed in English, later dubbed in Italian and German

Black Journal (originally titled Gran Bollito) is a 1977 Italian drama film directed by Mauro Bolognini. It is based on the real life events of Leonarda Cianciulli, the Italian serial killer best known as the "Soap-Maker of Correggio".

Spanning nearly four decades, from 1966 to 2003, this generational epic follows the different life paths of two Italian brothers from a middle-class family through some of the most significant events of recent Italian history.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

A pimp with no other means to provide for himself finds his life spiralling out of control when his prostitute is sent to prison.

Michele is a three-testicle, sexually insatiable man who goes around bedding all women in town (regardless of age), until one day things goes terribly wrong.

Rome, 1880. Gregorio Ferramonti (Anthony Quinn) has decided to close his bakery, the family business. Then he tells his sons Pippo (Gigi Proietti), Mario (Fabio Testi) and Teta that they will have to fend for themselves. But Irene (Dominique Sanda), the wife of Pippo, a beautiful, calculating and ambitious young woman, wants to take over the inheritance. Acting on intelligence, weighing every step and its consequences, she manages to convince the brothers that they must prevent at all costs that his father falls in love again to avoid the risk of losing their inheritance.

The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future. Their own futures are bleak.

A middle-aged writer is looking for a quiet retreat; a slightly younger female estate agent gives him details of a house a close to Venice.

A liberal-thinking author watches his wife as she attempts to seduce his best friend at a dinner party. She ends up taking on another man as well, and the writer has an affair with the another dinner guest. Soon the three men and two women are entangled in a confusing series of partner-swapping sex sprees where everyone's morals are challenged in the wake of the sexual revolution.

1975: author and filmmaker Pier Paolo Pasolini's dead body, brutally beaten and ran over by his own car, lays in the outskirts of Rome. Charged with the murder, 17-year-old thug Pino Pelosi confesses having acted in self-defense during a paid sexual encounter gone awry. However, many inconsistencies start to undermine his version, suggesting that he didn't act alone. Was Pasolini also murdered for another reason?

In post war Italy during the fifties it is very difficult to find a house to rent and a family ends up living in a former brothel.