The best Francesco Siciliano’s movies
We present our ranking of the best Francesco Siciliano’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Francesco Siciliano.
Stealing Beauty
6.5/10
Lucy Harmon, an American teenager is arriving in the lush Tuscan countryside to be sculpted by a family friend who lives in a beautiful villa. Lucy visited there four years earlier and exchanged a kiss with an Italian boy with whom she hopes to become reacquainted.
Pasolini
5.9/10
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
Abraham
7/10
This engrossing dramatization of the life of Abraham, the most tested servant of God and the father of Judaism, spans from the patriarch's quest for the Promised Land to the sacrifice of his son, Isaac.
The Escort
6.6/10
The film shows the difficulties of an honest, imperiled judge and his bodyguard of four men, trying to clean up a Sicilian town. Corrupt local politicians, working hand-in-hand with the Mafia, will stop at nothing to prevent exposure of their rackets.
Miracle of Marcellino
5.9/10
In the 15th century, in a poor Italian village, the monks of a modest convent take up an abandoned baby. Unfortunately, for all their efforts, they prove unable to trace his parents. So they set up providing tender loving care to the little boy. Marcellino lives a happy life among the men of God but, as he grows up, he misses his mother more and more.
DeGenerazione
5.1/10
Very rare Italian horror anthology from 1994, starring amongst many others, Asia Argento. This Italian movie is an anthology based with no linking material, only that all of the stories have a horror/suspense/surreal theme. The stories are diverse, ranging from routine stories with twist-endings to social satire. The directing styles are equally as eclectic - compare the frenetic Peter Jackson-style opening segment, Our Guys Are Coming to the surrealistic, dreamlike qualities of Outlook.
Zeta
4.8/10
The Dinner
6.9/10
An evening at an Italian restaurant. Hosted by tolerant and relaxed Flora, various parties of middle-class people come in -- large and small, young and old, regulars and tourists, married and single -- to dine, converse, argue, celebrate, make confessions; to overhear other people's discussions, to interrupt them, to sing, listen to music, and enjoy life. The camera, just like the people, moves constantly from table to table, into the kitchen and the back room to observe the staff's petty jealousies and frustrations -- until two hours later it's time for everybody to go home.
Who Killed Pasolini?
6.9/10
1975: author and filmmaker Pier Paolo Pasolini's dead body, brutally beaten and ran over by his own car, lays in the outskirts of Rome. Charged with the murder, 17-year-old thug Pino Pelosi confesses having acted in self-defense during a paid sexual encounter gone awry. However, many inconsistencies start to undermine his version, suggesting that he didn't act alone. Was Pasolini also murdered for another reason?
Caravaggio
6.9/10
The tumultuous and adventurous life of Michelangelo Merisi, controversial artist, called by Fate to become the immortal Caravaggio. A violent genius that will dare to defy the ideal vision of the world imposed by the Renaissance painters. A provoker that scandalized patrons and institutions, raising the altars the outcast figures he knew so well: drunkards, vagrants and prostitutes.
Solitaire
5.3/10
A three-billion-lire hit. A bloody hold-up. A sole survivor. Hunted down by fate and ruthless gangsters, Leo Piazza finds himself with a "hot" suitcase on his hands. Forced to go into hiding, time is running out. The killers want him dead so they can retrieve the loot and the showdown draws near... A nocturnal and silent anti-hero, Piazza moves like a zombie, like the living dead.
Celluloide
6.6/10
June 1944. In the newly liberated Rome, Roberto Rossellini and Sergio Amidei decide, against all odds, to make an unprecedented, true-to-life film on the tragic events that occurred during the Nazi occupation: Rome, Open City .
The Great Pumpkin
6.8/10
An epileptic 12-year-old girl, Pippi, is hospitalized in the psychiatric ward instead of the neurological ward, due to an administration error. Out of this mistake begins the difficult journey towards being cured.
La Santa
5.8/10
A group of 4 thugs plan to steal the statue of Saint Victoria from a small village in southern Italy but they haven't considered the locals
Abbiamo solo fatto l'amore
6/10
Happiness Costs Nothing
5.3/10
No overview found.
La donna velata
4.8/10
