The best Massimiliano Gallo’s movies

In this live-action adaptation of the beloved fairytale, old woodcarver Geppetto fashions a wooden puppet, Pinocchio, who magically comes to life. Pinocchio longs for adventure and is easily led astray, encountering magical beasts, fantastical spectacles, while making friends and foes along his journey. However, his dream is to become a real boy, which can only come true if he finally changes his ways.

Tommaso is the youngest son of the Cantones, a large, traditional southern Italian family operating a pasta-making business since the 1960s. On a trip home from Rome, where he studies literature and lives with his boyfriend, Tommaso decides to tell his parents the truth about himself. But when he is finally ready to come out in front of the entire family, his older brother Antonio ruins his plans.

A broke mechanic turns a bank loan denial into an impromptu robbery that puts him on the run with his best friend and a starlet they hold hostage.

In 1980s Naples, young Fabietto pursues his love for football as family tragedy strikes, shaping his uncertain but promising future as a filmmaker.

The story of Giancarlo Siani, a journalist killed by the Neapolitan Mafia in 1985.

Cenerentola struggles to escape the shadow and evil schemes of her stepmother and six stepsisters who all live aboard the Megaride, a ship stuck in the port of a decaying future Naples.

From campy lies to sexy surprises, this collection of vignettes captures the follies of several men as they fumble with fidelity and relationships.

An aspiring actor discovers that his spacious new apartment comes complete with eight friendly ghosts.

Demetrio Perez is a tough prosecutor torn between the corruption inherent in his job and the desire to do right by his family. But when opportunity presents itself and his daughter Thea falls in love with a Mafioso’s son, Perez has to cut through the morality of his law-abiding roots and become as dirty as the dangerous criminals he represents.

Fulvio is the only one of the three brothers to have left the village to go to work in the city. Deputy chief of staff in a large company, he dismisses people without remorse until he gets fired himself and after being jailed for beating his superior, is entrusted to his brother, who's a pastor in the village where they grew up. Forced into a place far from the modern world, Fulvio decides to help the local church in crisis by inventing a miracle that makes everyone believe that the saint's statue weeps. Tourists and pilgrims rush to the village and are filling the pockets of local businesses until the Vatican decides to send someone to certify the event. Fulvio must confess the scam, but the entire village will rise to convince the envoys of the Holy City for the veracity of the invented miracle.

Mario Martone brings Eduardo De Filippo’s play Il Sindaco del Rione Sanità to the big screen, a story the director sets in the present day, using the text as an opportunity to continue to investigate reality. The protagonist, Antonio Barracano, is a “man of honour” who distinguishes between “decent people and scoundrels”; around him flourishes a fierce, ambiguous and pained humanity, where good and evil confront each other in every character, where the two cities people always speak about in Naples (the legal and the criminal) clash in an encounter neither can win.

Two women -- a restaurateur and an architect -- have a seemingly idyllic romantic relationship, until the latter encounters a man she had a fling with.

When his girlfriend Giorgia leaves him for his boss, journalist Giulio suddenly finds himself without a woman and with no job. Determined to win back his ex, he attends Valeria's classes, who teaches single men the art of seduction, convinced that relationships between people are motivated by simple biological stimuli.

A sudden tragedy hits a wealthy middle-class family from North-East Italy. Tensions, hidden secrets and small hypocrisies emerge.

July 2006. Leonardo Zuliani has vanished. The news from Trastevere in Rome turns into a real national emergency, while a huge throng of followers gathers around the young activist’s house. His mother is beside herself with grief and the entire neighbourhood is paralysed. He’s on every TV channel and the authorities all express their solidarity with the family. Many can’t believe it’s true; they prefer to think it’s just one of his stunts. A genius in conveying his ideas, successful cartoonist, visionary fashion designer, cult author, human rights activist: but who is Leonardo deep down? With the help of leading experts and celebrities, the film traces his life, at last casting light on a key figure of our times

Set in 1970s Naples, bullied nine year-old Peppino is watching the world around him as his extended dysfunctional family change. Psychedelic flower power and hippie love is threatening the old traditional southern Italian family. Dad is having an affair and Mom has taken to her bed with depression. Super-mod brother and sister Titina and Salvatore take the boy under their wings, introducing him to demonstrations and love-ins, whilst caped superhero Gennaro visits Peppino even after being knocked down and killed by the number 12 bus. It is the imaginary appearances of this older superman cousin that help the nine-year-old navigate the complicated adult world.