The best Eliška Křenková’s comedy movies
Today we present the best Eliška Křenková’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Eliška Křenková’s movies.
Men in Hope
7/10
Charming bon vivant Rudolf is convinced that infidelity is the basis for a happy marriage, since, after all, a woman does not want to be bored with her partner.
Rafters
5.7/10
A comedy about funny adventures of boys and girls during the summer vacation.
Chasing Fifty
5.2/10
What happens in the mountains, stay in the mountains. Giant Mountains are truly the spice of local highlanders who live here, whether any season. Skier with one leg, the legendary womanizer adorned with infertility, the bartender with a penchant for divination... And Pavka, the oldest living member of a traditional cross-country Bulán family.
Winter Flies
6.5/10
Mischievously self-assured Mára and somewhat eccentric Heduš set out into the frozen wastes in search of adventure – by car, naturally. After all, Mára’s turning fifteen soon. A road movie about the flies that occasionally buzz around even in winter, and a story that tells of the elusive bond of boyhood friendship and the irrepressible desire to experience something, even if you don't exactly know what.
The Last Day of Patriarchy
6.9/10
Nina is pregnant by Jakub. Today, he introduces her to his family. They’re all gathered in the hospital at the bedside of his grandfather. Just as the young lady tries to put on a brave face, she is faced with the surprising reaction of the dying relative: he wants to see her breasts. This sparks a debate to which she is not invited – should the patriarch’s last vow be satisfied?
Totally Talking
5.5/10
Our hero is 25-year-old Štěpán – a nice enough guy but a bit of a waster who doesn’t have a clue what to do with himself. At the call centre where he works, he is jolted out of his lethargy when he takes a call from the mysterious and seemingly level-headed Marie. This playful flick revolves around young protagonists full of insecurities who are struggling to break out of the crushing stereotypical mould. And although Štěpán might not know exactly which path to take in life, the mere decision to put one foot in front of the other indicates a certain degree of progress. In its chosen stylisation the film opts for bizarre condensation and, in places, ventures into absurd poetics; even so, it reveals great understanding for its characters’ faltering moves.
