The best Eijirō Tōno’s movies on YouTube

Eijirō Tōno

Eijirō Tōno

17/09/1907- 08/09/1994
If you love cinema, you will share this ranking of the best Eijirō Tōno’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Eijirō Tōno.

Seven Samurai

Seven Samurai
8.6/10
  • Genre: ActionDrama
  • Release: 26/04/1954
  • Character: Kidnapper
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.

Tokyo Story

Tokyo Story
8.1/10
  • Genre: Drama
  • Release: 03/11/1953
  • Character: Sanpei Numata
The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.

Tora! Tora! Tora!

Tora! Tora! Tora!
7.5/10
  • Genre: DramaHistoryWar
  • Release: 26/01/1970
  • Character: Admiral Chuici Nagumo (as Eijiro Tono)
In the summer of 1941, the United States and Japan seem on the brink of war after constant embargos and failed diplomacy come to no end. "Tora! Tora! Tora!", named after the code words use by the lead Japanese pilot to indicate they had surprised the Americans, covers the days leading up to the attack on Pearl Harbor, which plunged America into the Second World War.

Good Morning

Good Morning
7.8/10
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

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