The best Kuniko Miyake’s movies

The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.

A mother gets help from her late husband's three friends in order to get her daughter married to a well-settled man.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.

Set in 1999, Claire's life is forever changed after she survives a car crash with some bank robbers, who enlist her help to take the money to a drop in Paris. On the way she runs into another fugitive from the law Dr. Farber, an American who is being chased by the CIA. They want to confiscate a device his father invented which allows anyone to record their dreams and visions. On the run they travel the globe from Berlin to Lisbon to Moscow to Tokyo, ending up in Australia at his father's research facility, where they hope to play back the recordings Farber captured for his blind mother.

Shuhei Hirayama is a widower with a 24-year-old daughter. Gradually, he comes to realize that she should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.

A young salary man and his wife struggle within the confines of their passionless relationship while he has an extramarital affair.

In postwar Tokyo, Noriko, still single at the advanced age of 28, lives contentedly in an extended family household that includes her parents and her brother's family. An uncle's visit prompts the family to find her a husband.

A childless middle-aged couple faces a marital crisis of sorts.

After the death of her husband, Mrs Toda and her youngest daughter receive a frosty welcome from the extended family.

The tragic story of Gonza, a handsome ladies man, set in the Tokagawa Period, a time in which appearences are very important. Gonza competes with Bannojo for the honor to perform the tea ceremony to celebrate the birth of an heir to the lord of their clan. To see the sacred tea scrolls Gonza promises to marry the daughter of the family which possesses them, even though he is unofficially engaged to another. When studying the scrolls with Osai, the mother of the house, Bannajo sneaks into the house and steals their obis and runs through the town proclaiming the two as adulterers.

This sensuously beautiful film chronicles the activities of four sisters who gather in Kyoto every year to view the cherry blossoms. It paints a vivid portrait of the pre-war lifestyle of the wealthy Makioka family from Osaka, and draws a parallel between their activities and the seasonal variations in Japan.

Yuko is sent to the coastal regions to be raised away from the rest of her sophisticated family where she finds out from her ill grandmother that she is not who she thought she was.

A plane on its way to Japan is forced to land at sea just off the Japanese coast. A small American boy survives the ditching but is separated from the rest of the passengers and crew and is picked up by a Japanese fisherman, who takes the boy back to his village. The boy is befriended by the fisherman's son, but when they see Japanese police swarming over the village, they are afraid that they've done something wrong and run away, although the police are only searching for the missing boy. Together the two boys travel through the Japanese countryside, trying to avoid the police who are searching for them and meeting up with many different kinds of people along the way.

A woman's struggle for equality in Japan in the 1880s. Eiko Hirayama leaves Okayama for Tokyo, where she helps the fledgling Liberal Party and falls in love with its leader Kentaro Omoi, just as the party is being disbanded by the government.

Family drama. A middle-aged father has just married off his third daughter, but still has his nine year old son to raise whom he resents as he was unwanted. (British Film Institute)

Kindaichi challenges the mystery of an incident in which three sisters were killed one after the other according to an ancient tradition on an isolated island in the Seto Inland Sea. Kosuke Kindaichi received a will from his friend Kito, which said, "Go to Gokumon Island to save my three younger sisters," and Kosuke went to Gokumon Island. Upon arriving at the residence of Quito, there were three beautiful sisters, a crazy father, a cousin of Sanae, and Kosuke plunged into a strange atmosphere. The film adaptation of the masterpiece novel of the same name by Seishi Yokomizo. Kyozo Kataoka plays Detective Kosuke Kindaichi, and Ryutaro Otomo plays Inspector Isokawa, who can be called Kindaichi's best partner.