The best Duke Ellington’s movies
Today we present the best Duke Ellington’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Duke Ellington’s movies.
Anatomy of a Murder
8/10
Semi-retired Michigan lawyer Paul Biegler takes the case of Army Lt. Manion, who murdered a local innkeeper after his wife claimed that he raped her. Over the course of an extensive trial, Biegler parries with District Attorney Lodwick and out-of-town prosecutor Claude Dancer to set his client free, but his case rests on the victim's mysterious business partner, who's hiding a dark secret.
The Green Book: Guide to Freedom
8.2/10
In 1936, Victor H. Green (1892-1960) published The Negro Motorist Green Book, a book that was both a travel guide and a survival manual, to help African-Americans navigate safe those regions of the United States where segregation and Jim Crow laws were disgracefully applied.
The Apollo
6.8/10
The history of New York City's Apollo Theater in Harlem is given the full treatment.
Cabin in the Sky
7.1/10
When compulsive gambler Little Joe Jackson dies in a drunken fight, he awakens in purgatory, where he learns that he will be sent back to Earth for six months to prove that he deserves to be in heaven. He awakens, remembering nothing and struggles to do right by his devout wife, Petunia, while an angel known as the General and the devil's son, Lucifer Jr., fight for his soul.
Reveille with Beverly
6.6/10
Beverly Ross, the switchboard operator at a local radio station, jumps at the chance to be the DJ for an early morning show before the soldiers at a nearby army camp assemble for reveille. Beverly, with her modern music, camp bulletins and chatter, is a hit with the soldiers. Beverly's younger brother and his two buddies are soldiers at the camp. The buddies vie for Beverly's attentions.
Murder at the Vanities
6.5/10
Shortly before the curtain goes up the first time at the latest performance of Earl Carroll's Vanities, someone is attempting to injure the leading lady Ann Ware, who wants to marry leading man Eric Lander. Stage manager Jack Ellery calls in his friend, policeman Bill Murdock, to help him investigate. Bill thinks Jack is offering to let him see the show from an unusual viewpoint after he forgot to get him tickets for the performance, but then they find the corpse of a murdered woman and Bill immediately suspects Eric of the crime.
Check and Double Check
4.9/10
Amos and Andy trying to make a go of their "open-air" taxi business while they get caught up in a society hassle, involving driving musicians to a fancy party.
Piano Blues
7.3/10
Director — and piano player — Clint Eastwood explores his life-long passion for piano blues, using a treasure trove of rare historical footage in addition to interviews and performances by such living legends as Pinetop Perkins and Jay McShann, as well as Dave Brubeck and Marcia Ball.
Many Happy Returns
5.9/10
Gracie Allen assumes the "management" of the shop owned by her papa Horatio Allen, turning it into a radio station and then an aviary---with the usual Gracie Allen logic---while distracted Papa is trying to get younger daughter, beauty contest winner Florence, married before she can head to Hollywood and get into the movies.
Belle of the Nineties
6.3/10
Cabaret entertainer Ruby Carter shifts her operations to New Orleans and becomes exceedingly popular with the local men.
Birth of the Blues
6.3/10
Jeff grows up near Basin Street in New Orleans, playing his clarinet with the dock workers. He puts together a band, the Basin Street Hot-Shots, which includes a cornet player, Memphis. They struggle to get their jazz music accepted by the cafe society of the city. Betty Lou joins their band as a singer and gets Louie to show her how to do scat singing. Memphis and Jeff both fall in love with Betty Lou.
Black and Tan
6.5/10
Duke Ellington plays hot jazz in a fictional story that finds him down on his luck; he tries in vain to dissuade his friend, dancer Fredi Washington, from working with heart trouble even though it means work for his band. Sure enough, she collapses on stage...
Improvisation
7.1/10
Improvisational jazz performance filmed in 1950 by Gjon Mili plus Duke Ellington Trio filmed in July 1966, Count Basie at the Montreux Jazz Festival 1977, Joe Pass 1979, Ella Fitzgerald 1979, and Oscar Peterson at the Montreux Jazz Festival 1977.
Jazz Evolution
The Hit Parade
6.6/10
Agent Pete Garland is fired by society singer Monica Barrett after he got her a new radio contract, because she thinks her lawyer friend Teddy Leeds fits in better with her social status. To get even, Pete wants to make an unknown singer into a star. He finds Ruth Allison, drives her hard through rehearsals and makes her a star. But she is worried about her past, something she hasn't told Pete: She's an ex-convict and jumped bail in order to keep her partners in crime out of it. Further she's in love with Pete, but feels that he's still carrying a torch for Monica. When Monica's popularity is decreasing, Pete is able to get Ruth a stint on the program, the result is Monica is fired and Ruth get her job, but Monica takes revenge by revealing Ruth's past. Ruth considers it is best for her to disappear before being arrested, but she has become a star in public opinion. Will she get Pete or will she go to prison again?
The Strolling '20s
6.2/10
Harry Belafonte and Sidney Poitier travel down memory lane to see what it was like back in the 1920s.
Charlie Parker: Bird Songs
In 1955, on his report, a medical examiner wrote in the box: age, “about 53 years”. Charlie Parker nicknamed Bird just died, at 34. His death will be the ransom of a life that was not denied to the excesses or the consuming flame of genius. His wildest improvisations will open the door to future jazzmen. Between shadow and light this film will pay tribute to one of the greatest musicians of the 20th century.
Jazz Ball
7.6/10
A made-for-TV musical revue, compiled from soundies and film and TV performances by jazz greats from the 1930s to the 1950s.
Black Shadows on the Silver Screen
Ossie Davis narrates a history of "race films," films made before 1950 which catered to a primarily black audience.
The Jazz Ambassadors
7.5/10
The Cold War and Civil Rights collide in this remarkable story of music, diplomacy and race. Beginning in 1955, when America asked its greatest jazz artists to travel the world as cultural ambassadors, Louis Armstrong, Dizzy Gillespie, Duke Ellington and their mixed-race band members, faced a painful dilemma: how could they represent a country that still practiced Jim Crow segregation?
