The best Duke Ellington’s music movies
Today we present the best Duke Ellington’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Duke Ellington’s movies.
Murder at the Vanities
6.5/10
Shortly before the curtain goes up the first time at the latest performance of Earl Carroll's Vanities, someone is attempting to injure the leading lady Ann Ware, who wants to marry leading man Eric Lander. Stage manager Jack Ellery calls in his friend, policeman Bill Murdock, to help him investigate. Bill thinks Jack is offering to let him see the show from an unusual viewpoint after he forgot to get him tickets for the performance, but then they find the corpse of a murdered woman and Bill immediately suspects Eric of the crime.
Cabin in the Sky
7.1/10
When compulsive gambler Little Joe Jackson dies in a drunken fight, he awakens in purgatory, where he learns that he will be sent back to Earth for six months to prove that he deserves to be in heaven. He awakens, remembering nothing and struggles to do right by his devout wife, Petunia, while an angel known as the General and the devil's son, Lucifer Jr., fight for his soul.
Piano Blues
7.3/10
Director — and piano player — Clint Eastwood explores his life-long passion for piano blues, using a treasure trove of rare historical footage in addition to interviews and performances by such living legends as Pinetop Perkins and Jay McShann, as well as Dave Brubeck and Marcia Ball.
Reveille with Beverly
6.6/10
Beverly Ross, the switchboard operator at a local radio station, jumps at the chance to be the DJ for an early morning show before the soldiers at a nearby army camp assemble for reveille. Beverly, with her modern music, camp bulletins and chatter, is a hit with the soldiers. Beverly's younger brother and his two buddies are soldiers at the camp. The buddies vie for Beverly's attentions.
Jazz Ball
7.6/10
A made-for-TV musical revue, compiled from soundies and film and TV performances by jazz greats from the 1930s to the 1950s.
The Hit Parade
6.6/10
Agent Pete Garland is fired by society singer Monica Barrett after he got her a new radio contract, because she thinks her lawyer friend Teddy Leeds fits in better with her social status. To get even, Pete wants to make an unknown singer into a star. He finds Ruth Allison, drives her hard through rehearsals and makes her a star. But she is worried about her past, something she hasn't told Pete: She's an ex-convict and jumped bail in order to keep her partners in crime out of it. Further she's in love with Pete, but feels that he's still carrying a torch for Monica. When Monica's popularity is decreasing, Pete is able to get Ruth a stint on the program, the result is Monica is fired and Ruth get her job, but Monica takes revenge by revealing Ruth's past. Ruth considers it is best for her to disappear before being arrested, but she has become a star in public opinion. Will she get Pete or will she go to prison again?
Birth of the Blues
6.3/10
Jeff grows up near Basin Street in New Orleans, playing his clarinet with the dock workers. He puts together a band, the Basin Street Hot-Shots, which includes a cornet player, Memphis. They struggle to get their jazz music accepted by the cafe society of the city. Betty Lou joins their band as a singer and gets Louie to show her how to do scat singing. Memphis and Jeff both fall in love with Betty Lou.
Jazz Evolution
Black and Tan
6.5/10
Duke Ellington plays hot jazz in a fictional story that finds him down on his luck; he tries in vain to dissuade his friend, dancer Fredi Washington, from working with heart trouble even though it means work for his band. Sure enough, she collapses on stage...
Improvisation
7.1/10
Improvisational jazz performance filmed in 1950 by Gjon Mili plus Duke Ellington Trio filmed in July 1966, Count Basie at the Montreux Jazz Festival 1977, Joe Pass 1979, Ella Fitzgerald 1979, and Oscar Peterson at the Montreux Jazz Festival 1977.
Symphony in Black: A Rhapsody of Negro Life
7.3/10
A rising nineteen-year-old singer by the name of Billie Holiday made her screen debut in this musical landmark, which features Duke Ellington and his orchestra performing his symphonic jazz piece “A Rhapsody of Negro Life” set to scenes of everyday African American life.
The Intimate Duke Ellington
Duke Ellington's fifty year career was full of accomplishments as a highly original pianist, arranger, prolific composer and leader of a timeless orchestra. On occasion he recorded with a small group from his orchestra or as a piano soloist, but Duke was rarely filmed in that capacity... with a few exceptions. On January 23, 1967, Ellington filmed two programs for Danish television. The first has him jamming with an octet taken from his orchestra, including such greats as altoist Johnny Hodges, tenor-saxophonist Paul Gonsalves, baritonist Harry Carney and trumpeter Cat Anderson. Highlights include "The Jeep Is Jumpin'," "Sophisitcated Lady" and "Jam with Sam." The second program puts the focus on Ellington's piano, in solo and trio performances that include "Lotus Blossom," "Mood Indigo," and a definitive version of "Take the 'A' Train." Always a modern and distinctive soloist, Ellington is seen creating brilliant improvisations full of strong melodies, subtle surprises and sly wit.
A Bundle of Blues
6.9/10
Duke Ellington and his orchestra play two jazz compositions plus 'Stormy Weather' (sung by Ivy Anderson).
Duke Ellington & His Orchestra 1929-1943
Joined by the likes of saxophonist Ben Webster and trumpeter Cootie Williams, jazz giant Duke Ellington demonstrates in this collection of performance clips (spanning the years 1929-43) precisely why he's one of the seminal figures in American music. Ellington's musical evolution can be seen in excerpts from feature-length and short films that include Black and Tan, Check and Double Check, Symphony in Black and The Hit Parade of 1937.
