The best Douglas Fairbanks’s western movies
We present our ranking of the best Douglas Fairbanks’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Douglas Fairbanks.
The Mark of Zorro
7.1/10
Douglas Fairbanks impersonates a wealthy young Spanish noble who, in his proper person, is an indolent imbecile, the despair of his father and of his charming sweetheart. When he sallies forth a masked black figure on a black horse, the terrible Zorro, he rescues the oppressed and leaves “The Mark of Zorro,” a “Z” made with his rapier, on the oppressor of the weak.
Don Q Son of Zorro
6.9/10
Don Cesar De Vega crosses swords with a vicious member of the Queen's Guard, and steals the affection of a young heiress. When the officer frames the young upstart for murder, Don Cesar fakes his own death and retreats to the crumbling ruins of the family castle he plots his vengeance.
The Good Bad Man
6.6/10
An outlaw calling himself Passin' Through halts his "evil" ways long enough to help out some children in difficulty.
The Lamb
5.6/10
Gerald, the somewhat frail son of a wealthy New York family, is bested at the beach by Bill, a strapping young cowboy from Arizona. His fiancée Mary, ashamed of Gerald's "yellow streak", leaves him and goes by train to visit some friends in Arizona, with Bill in tow. Gerald follows them, and before long he and Mary winds up captured by Yaqui Indians and Gerald must prove to Mary that he is not the "weakling" she thinks he is by coming up with a plan for them to escape their captors.
The Half-Breed
6.7/10
In an attempt to brand himself as a serious actor, the smiling swashbuckler Douglas Fairbanks starred in THE HALF-BREED (1916), a Western melodrama written by Anita Loos and directed with flair by Allan Dwan. Fairbanks stars as Lo Dorman, who has been ostracized from society because of this mixed ethnicity - his Native American mother was abandoned by his white father. When Lo catches the eye of the rich white debutante Nellie (Jewel Carmen), he becomes a target for the racist Sheriff Dunn (Sam De Grasse), who wants to break them up and take Nelli for his own. This love triangle becomes a quadrangle with the arrival of Teresa (Alma Rubens), who is on the run from the law. Through fire and fury Lo must decide who and what he truly loves.
Wild and Woolly
6.4/10
A rich Easterner who has always wanted to live in "the Wild West" plans to move to a Western town. Unknown to him, the town's "wild" days are long gone and it is an orderly and civilized place now. The townsmen, not wanting to lose a rich potential resident, contrive to make over the town to suit the young man's fantasy.
A Modern Musketeer
6.6/10
A young man grows restless living in a small Kansas town, dreaming of the adventures of the Three Musketeers. So in hopes of becoming a modern D'Artagnan, he mounts his steed (a Model T Ford) and sets out across the West in search of excitement and adventure.
Headin' South
7/10
A lost film. As described in a film magazine Exhibitors Herald on March 16, 1918: "a forest ranger known only as Headin' South (Fairbanks) goes forth in search of Spanish Joe (Campeau), a Mexican responsible for most of the treachery and outlawry along the U.S.-Mexican boarder. Headin' South gains quite a reputation as he goes along and finally believes himself worthy of joining Joe's band. in a whirlwind finish in which Joe is captured, Headin' South meets one of Joe's near victims (MacDonald) and falls in love with her."
The Man from Painted Post
6.3/10
In order to find out who's behind a cattle rustling operation that's hurting ranchers, a detective for the Cattleman's Protective Association pretends to be a tenderfoot from back east who's just arrived in the area and doesn't know how to ride, rope or shoot.
