The best Sam De Grasse’s movies
Today we present the best Sam De Grasse’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Sam De Grasse’s movies.
Intolerance: Love's Struggle Throughout the Ages
7.7/10
The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.
The Birth of a Nation
6.1/10
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
The Man Who Laughs
7.6/10
Gwynplaine, son of Lord Clancharlie, has a permanent smile carved on his face by the King, in revenge for Gwynplaine's father's treachery. Gwynplaine is adopted by a travelling showman and becomes a popular idol. He falls in love with the blind Dea. The king dies, and his evil jester tries to destroy or corrupt Gwynplaine.
The King of Kings
7.4/10
The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.
Robin Hood
7/10
Amid big-budget medieval pageantry, King Richard goes on the Crusades leaving his brother Prince John as regent, who promptly emerges as a cruel, grasping, treacherous tyrant. Apprised of England's peril by message from his lady-love Marian, the dashing Earl of Huntingdon endangers his life and honor by returning to oppose John, but finds himself and his friends outlawed, with Marian apparently dead. Enter Robin Hood, acrobatic champion of the oppressed, laboring to set things right through swashbuckling feats and cliffhanging perils!
Blind Husbands
6.9/10
An Austrian military officer and roue' attempts to seduce the wife of a surgeon. The two men confront each other in a test of abilities that ends surprisingly.
Wild and Woolly
6.4/10
A rich Easterner who has always wanted to live in "the Wild West" plans to move to a Western town. Unknown to him, the town's "wild" days are long gone and it is an orderly and civilized place now. The townsmen, not wanting to lose a rich potential resident, contrive to make over the town to suit the young man's fantasy.
The Racket
6.6/10
In this silent film, a renegade police captain sets out to catch a sadistic mob boss.
Our Dancing Daughters
6.7/10
A flapper sets her hat for a man with a hard-drinking wife.
The Black Pirate
7/10
A nobleman vows to avenge the death of his father at the hands of pirates. To this end he infiltrates the pirate band. Acting in character he is instrumental in the capture of a ship, but things are complicated when he finds that there is a young woman on board whom he wishes to protect from the threat of rape.
Wall Street
6.8/10
A very topical early talkie from low-budget company Columbia Pictures, Wall Street starred Ralph Ince, brother of producer Thomas H. Ince, as Roller McCray, a steelworker turned ruthless tycoon whose tough business methods leads a rival (Philip Strange) to commit suicide. The widow (Aileen Pringle), believing she can ruin Ince by using his own methods, conspires with her husband's former partner (Sam De Grasse), but a strong friendship between Ince and Pringle's young son (Freddie Burke Frederick) changes things dramatically. According to future Three Stooges director Edward Bernds, who worked as a sound mixer on Wall Street, Ince's reaction to his rival's suicidal jump from a window ledge was changed from a sneering "I didn't think he had the guts" to the more respectful "I didn't think he'd do it" due to derisive laughter from the film's crew.
The Half-Breed
6.7/10
In an attempt to brand himself as a serious actor, the smiling swashbuckler Douglas Fairbanks starred in THE HALF-BREED (1916), a Western melodrama written by Anita Loos and directed with flair by Allan Dwan. Fairbanks stars as Lo Dorman, who has been ostracized from society because of this mixed ethnicity - his Native American mother was abandoned by his white father. When Lo catches the eye of the rich white debutante Nellie (Jewel Carmen), he becomes a target for the racist Sheriff Dunn (Sam De Grasse), who wants to break them up and take Nelli for his own. This love triangle becomes a quadrangle with the arrival of Teresa (Alma Rubens), who is on the run from the law. Through fire and fury Lo must decide who and what he truly loves.
Captain Salvation
6.8/10
A young divinity student helps and protects a down and out prostitute, at the cost of his own standing in the community.
When a Man Loves
7/10
A nobleman studying for the priesthood abandons his vocation in 18th Century France when he falls in love with a beautiful, but reluctant, courtesan.
Martyrs of the Alamo
5.7/10
The story of the defense of the mission-turned-fortress by 185 Texans against an overwhelming Mexican army in 1836.
The Good Bad Man
6.6/10
An outlaw calling himself Passin' Through halts his "evil" ways long enough to help out some children in difficulty.
The Mother and the Law
7/10
After the relatively low box office takings of 'Intolerance', D. W. Griffith would revisit his epic film three years later by releasing two of the film's interlocking stories as standalone features, with some new additional footage. The second of these was 'The Mother and the Law', which demonstrates how crime, moral puritanism, and conflicts between ruthless capitalists and striking workers help ruin the lives of marginal Americans.
Heart o' the Hills
6.3/10
Family tensions in the Kentucky hills are inflamed by an outsider's dishonest scheme to exploit the area for its coal.
Tiger Rose
6.2/10
Originally a Broadway play by Willard Macks, Lenore Ulric played the lead on Broadway and reprises her role for this film. At the Wutchi Wum trading post In the peaceful Loon River Valley, deep in the Canadian Northwest comes a story of love, vengeance and sacrifice. Having lived at the trading post following the death of her father, Rose will soon fall in love. But when her new love is in trouble, Rose will discover that she is capable of much more than she thought in order to keep him safe.
Unseen Forces
5.9/10
In the film, Breamer’s character, Miriam Holt (“the girl who sees around corners”), proves her psychic powers by locating children who went missing during the war. Her childhood love Clyde Brunton (Conrad Nagel) is unhappily married to a social climber, but Miriam’s ability to commune with the spirits of the dead (“those we love are always with us”) finds a way to resolve the problem.
